For Pat Passlof, resisting any sort of a priori system was tantamount to her project as a painter, which instead plumbed the more experiential and unpredictable wellsprings of touch and sight.
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Join us at noon this Saturday for a recital of #FerruccioBusoni piano compositions, and a sneak peek at our upcoming #PatPasslof show!
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“In the abstract paintings, there’s sometimes this trick. I have to be careful not to do it, but sometimes I cover the painting with white and then everything is beautiful and new and fresh, like snow. All the misery is over, the terror.” GR in conversation with Robert Storr 1996
There’s one day left to see Mimi Gross’s amazing paintings and drawings from 1958-1963 at Eric Firestone, 4 Great Jones St. 10-6. They’ve barely been seen since they were made. Some of them belong in museums.
If you're in NYC, stop by @resnickpasslof to see the work of Professor Emeritus Denzil Hurley in "Doing What Comes Naturally"; it's up through August 4: https://t.co/acpmOz9ebU
Foundations Established by US Artists Are Now Worth More Than $7 Billion, Making Them a Formidable Philanthropic Force | artnet News https://t.co/AZjG7TKyGT
We are now accepting applications for the 2019 Burke Prize! 📝 The prize is an unrestricted $50,000 award made to a professional artist age 45 or under working in glass, fiber, clay, metal, or wood: https://t.co/ZL0qzKzHbJ #BurkePrize
The exhibition "Widening Circles: Portraits from the Joan Mitchell Foundation Artist Community at 25 Years" is now on view at the Foundation's home office in New York, and the companion book is available as a free download. More info: https://t.co/YoK1cBrssE
Join us next Saturday at 4pm for a lecture on how #MiltonResnick's work straddles the Romanticism of the 19th c and the Modernism of the 20th: https://t.co/qGmjItjw69