Right on Cue

@clintworthing goes behind the music to talk to the composers behind your favorite film, TV, and video game scores. (Complete with #CueCommentary!).

[Right on Cue @rightoncuepod]

New #podcast! @jaywadley joins me once more to talk about how his classical composition experience helped him with the revolutionary, tone-spanning score for Apple TV+'s #Franklin: https://t.co/v5GZAacapS

[Right on Cue @rightoncuepod]

New #podcast! TV legend @mikepostmusic graciously talks to us about his decades-long hot streak scoring the Law & Order franchise, as well as his riveting pair of Americana suites, MESSAGE FROM THE MOUNTAINS & ECHOES OF THE DELTA. https://t.co/imtYhLThOT

[Right on Cue @rightoncuepod]

Congrats to Ludwig Gorannsson for winning Best Score for OPPENHEIMER! #Oscars2024

[Clint Worthington @clintworthing]

So flattered when @media_marshall asked to interview me for his Substack about @rightoncuepod, my love of film scores, and the surprisingly solid state of the Best Original Score Oscar race. Give it a read!
https://t.co/umfCYUsGaB

[Lukas Kendall @LukasKendall]

HUGE SOUNDTRACK CD SALE going live in less than 24 hours—at 10AM on Tuesday 2/27/24. See you then! https://t.co/EaTvvnLgRV

[Right on Cue @rightoncuepod]

New #podcast!

In the wake of #TrueDetectiveNightCountry's finale, I sat down with composer @vincecpope to talk about the show's atmospheric sound, incorporating Native instruments and vocalists, and the struggle to get that finale cue just right: https://t.co/PNYRqYiwZe

[Clint Worthington @clintworthing]

Seriously one of the most fun, insightful and broad-reaching convos I've had on this podcast - touching everything from craft to personal musical history to the principles by which film and TV music are made. Please listen and share this one!

[Right on Cue @rightoncuepod]

New #podcast!

I had thd thrill of a lifetime talking to @RiveraComposer about music, who composers should score for (the characters or the audience), and his moody, multifaceted scores to GRISELDA and MONSIEUR Spade. Don't miss this one! https://t.co/L3oT68aAtM

[Right on Cue @rightoncuepod]

If we're talking Bond, I've got such a soft spot for THE LIVING DAYLIGHTS.

Non Bond? Gotta be this for me: https://t.co/JZhBDb1QEQ

[BFI @BFI]

Five-time Oscar winner and the man behind 11 James Bond soundtracks, John Barry is one of cinema’s most beloved composers. But what are his greatest scores? https://t.co/p5SZ4GEKQ6

[Right on Cue @rightoncuepod]

@TheFilmScorer @librarycongress Wow amazing! Well deserved

[The Film Scorer @TheFilmScorer]

Thank you @librarycongress for including the show as part of your film music research guide!

https://t.co/HbtWIqK8e8

[Stephen Barton @ComposerBarton]

Superb choice - one of a small handful of people who really made game music what it is today.

[Emilie Levienaise-Farrouch @EmilieLF1]

All of Us Strangers is out today in UK cinema!
With an original score by yours truly 🤍

[Sony Music Soundtracks @SonySoundtracks]

On @alexjweston's soaring score for #Expats, rhythmic guitars, gentle piano and distinctive motifs soundtrack the complex lives of Hong Kong's expatriate community as they converge around a life-altering event…

[Right on Cue @rightoncuepod]

New #podcast!

SALTBURN composer @anthonyBwillis talks about his longtime friendship and collaboration with Emerald Fennell, and building the social thriller's brittle clash between Gothic opulence and 2000s-era hedonism: https://t.co/RQl83mVMqe

[Score: The Podcast @ScoreThePodcast]

Season 5 Episode 5 | Carlos Rafael Rivera has a cookie for ya

With two new shows out in ‘Griselda’ (Netflix) and ‘Monsieur Spade’ (AMC), @composer313 joins to discuss his musical approaches for both scores and reflects on ‘The Queen’s Gambit’ being in the Netflix Top 5 all-time.

[Right on Cue @rightoncuepod]

Congrats to prior podcast guests @Laura_Karpman and Jerskin Fendrix for their #Oscars2024 nominations!

[Bernard Herrmann Archive @HerrmannMovie]

Laurie Johnson, composer of THE AVENGERS, DR. STRANGELOVE, and THIS IS YOUR LIFE, has passed away at 96.

Johnson also assisted Bernard Herrmann with conducting the score for Brian De Palma's OBSESSION (1976) and adapted Herrmann's music for Larry Cohen’s IT LIVES AGAIN (1978).

[Right on Cue @rightoncuepod]

New #podcast! I was thrilled to speak to @DavePorterMusic about shifting from BREAKING BAD to the MCU, filling the musical spaces in a show with a Deaf protagonist, and coordinating with Native artists and vocalists to build the sound of Disney+'s #Echo: https://t.co/IUzPE6MyK0

[Paul Leonard-Morgan @PaulLeonardMorg]

Speaking of podcasts - thanks to @rightoncuepod for having me on to talk about my work on #ThePigeonTunnel soundtrack for Errol Morris.