bobby Chieti

[bobby Chieti @rmin2211]

What If Lotr was written like Nolan's Odyssey https://t.co/tzKJVyYstn via @YouTube

[Proud Elephant 🇺🇸🦅 @ProudElephant]

Daily Muslim prayer in Dearborn, Michigan:

“Oh Allah, kill every Jew, Christian and American”

ITS TIME TO DEPORT EVERY SINGLE ONE OF THESE ANIMALS…

[RedWave Press @RedWavePress]

The Daily Wire’s Matt Walsh on The Odyssey: “You can judge a book by its cover most of the time, and the cover of this one had a gender-confused woman in a man’s costume and a race-swapped Helen of Troy. We judged those to be massive red flags, and turns out we were right.”

“The Odyssey is indeed a three-hour-long middle finger to its source material, to Western civilization, to white people, to Greeks, to literature, and to movie making in general. It contradicts itself to the point that every important aspect of the story, from the plot to the theme to the characterization, is reduced to incoherence.”

[Brivael Le Pogam @brivael]

Super clean like always.

Thinking Elon is a racist is a sign of brain issue or corruption.

[bobby Chieti @rmin2211]

@JEChalmers

[Going To The Pictures @GoToThePictures]

I just got back from watching The Odyssey and I was not impressed. I found it pretentious. 5/10.

[Istaphobos 🐻‍❄️ @IstaPhobos]

Another version of The Odyssey MADE ON A PHONE that's better than the Christopher Nolan slop we got served.

[bobby Chieti @rmin2211]

@JonnyRoot_

[Shaun Maguire @shaunmmaguire]

Elon is an absolute legend

[Dominik Tarczyński MEP @D_Tarczynski]

"I support the normal people. What you call the far right, falsely."

👏👏👏

[Basil the Great @BasilTheGreat]

Amazing clip of Elon Musk shutting down a journalist who uses the term 'Far-Right'

"If you go back 10 or 15 years these were completely normal policies"

Secure borders
Safe cities
Sensible spending

"These are not far right, these are normal people"

[Rupert Lowe MP @RupertLowe10]

This 'journalist' tries to paint me as 'far-right' and racist.

Elon shuts her, and the entire mainstream media, down in the most glorious way.

[auspill @aus_pill]

Do Whites even exist in the minds of corporations anymore

[bobby Chieti @rmin2211]

@AlboMP

[bobby Chieti @rmin2211]

@AlboMP

[bobby Chieti @rmin2211]

@7NewsAdelaide

[Stetson Wilson @stet_dot_net]

It’s interesting to me that the people who like The Odyssey also loved Oppenheimer.

You realize both movies suck, right? And it’s just that you can’t bring yourself to criticize Nolan?

[Mason Lemme @LemmeReact]

If you think this movie was anything above a 3-4/10 then you’re smoking crack.

The Odyssey was atrocious.

[bobby Chieti @rmin2211]

@NoticerNews We voted no to this garbage!!

[ThePatrioticDog @ThePatrioticDog]

Christopher Nolan’s Odyssey is not just ridiculous because it’s woke, it falls flat even from an artistic, cinematographic perspective.

Watching Ellen Page try to depict an ancient Greek soldier running through the desert, is as visually absurd as watching an elderly Robert De Niro in Martin Scorsese’s The Irishman, playing a young Frank Sheeran.

Ellen Page as a male Greek soldier, carries the same level of absurdity as watching the Grocery kicking scene in The Irishman, where Robert De Niro is supposed to be depicting a male in in his 30’s, while he’s visibly and mechanically in his late 70’s. Every kick stiff and old, the same way “Elliot” flops through the desert like an adolescent child.

Every time we have to call Ellen, Elliot, every time we’re supposed to pretend Lupita Nyong'o represents Helen of Troy, and every time we’re supposed to pretend The Odyssey looks like ancient Greece, it hits home with the same level of absurdity as watching Joe Pesci say “What’s the matter, kid?” to a 76 year old Robert De Niro.

In both instances, there is a common theme. The theme is selfishness and self-centeredness. Sure Robert De Niro could have given a portion of his role to a young up and coming actor, and sure Christopher Nolan could have used this film to promote some talented Greek actors, but that would be too rational, too audience-focused. Who care what the audience wants? Who cares how absurd this is visually, and conceptually, it’s what we want — and we’ll force feed it to you!

We live in the world of “truths”, where everyone’s “truth” is more important than the actual truth.