obviously shame on Tribeca for allowing an Israeli production but it's incredible even when granted the legitimate standing of liberal institutions turning a blind eye to genocide, Israeli producers scandalize themselves anyway by being unable to restrain their psychotic bigotry
In Washington D.C., taxpayers who don’t take the train or bus are increasingly subsidizing those who do, and it’s not sustainable. @DominicJPino explains why.
🔗 Read more: https://t.co/XnaPxOFX7m
ALERT: Excellent national sports reporter gig
The @washingtonpost is hiring a reporter who sees sports as a powerful lens into the forces shaping the country, including politics, culture and business.
https://t.co/PGregB6gC9
OPINIÃO | O Agente Secreto, de Kleber Mendonça Filho, não precisa ser explicado — mas você talvez precise largar o celular. Leia mais:
https://t.co/6yyAMOSM4u
For my @ebertvoices debut, I wrote about THE SECRET AGENT, the humanities, and memory as both acts of resistance and love. This movie is very dear to me, and I'm glad to be an enthusiastic champion of it as part of Women's Writers Week!
➡️ https://t.co/Phhd1xKG9N
Don't want to quote the post going around from the guy w/ allegations against him, BUT talking about favorite critics gave me a good excuse to clean up this spreadsheet I started last year where I attempt to catalogue my fave culture writing/crit:
https://t.co/Nfa5b5KDoO
My heart is broken — for the Post, for journalism, but most of all, for my brilliant colleagues who were shamefully and recklessly removed from their jobs today.
Anyone who's been hired by the Post would be a worthy addition to any newsroom. Here are some I'd love to highlight:
I know I said I’d wait for recriminations until tomorrow. But it’s nearly midnight where I am. This letter is appalling garbage. Not an ounce of responsibility taken. And some of these failed ideas came from leadership! The problems he says led to this moment are not unique to the Post. Everyone in journalism has had to face the same challenges. The Post is losing money because the people who run the Post don’t know what they’re doing.
At #Sundance2026 I wrote about 28 films in 9 separate dispatches for @ebertvoices.
ICYMI: Here are those dispatches, beginning with ONCE UPON A TIME IN HARLEM, WICKER, and THE GALLERIST.
https://t.co/fy2Ehf8ZLX
Kleber Mendonça Filho, the Brazilian director of “The Secret Agent,” which is up for multiple Oscars, wants his films to reclaim lost history.
https://t.co/SvoNVkA4I9
Extraordinary interview with Kleber Mendonça Filho, by my colleague Stephania Taladrid, that goes far into the sources, ideas, and methods of The Secret Agent; his approach to the archive is a fundamental and far-reaching ethic of cinema:
https://t.co/mufaPIRC3l
His journey through time will save our future. ARCO. A film by Ugo Bienvenu.
Featuring voices from Will Ferrell, America Ferrera, Flea, Natalie Portman, Mark Ruffalo, and Andy Samberg. In Select Theaters 11.14.