On a crowded stage, a 'Muslim-appeasing journalist' asked Amit Shah, "Don't Muslims have the right to live according to Sharia and Hadith...?" Upon hearing 'Mota Bhai's' reply, the journalist was left speechless. He didn't ask a follow-up question. Because 'Mota Bhai's' answer was nothing short of a stinging, resounding slap.👍👌👏
Do you know the reality of Sonam Wangchuk.
The Home Ministry had cancelled the FCRA licence of the NGO run by Sonam Wangchuk, called SECMOL, which was receiving funds from mainly USA and China. Despite this, SECMOL continued to receive funds through foreign entities through hidden pathways, cards, and unauthorized networks.
Amit Shah brought new rules for FCRA in June 2026.
Immediately after the new rules of FCRA were imposed, Sonam Wangchuk joined the CJP protest on a hunger strike on June 28, 2026.
Connect the dots.
Sonam Wangchuk, who is credited for creating vertical, cone shaped ice towers, (Ice Stupas) for which he won the Rolex Awards for Enterprise in 2016, essentially copied the ice stupa concept from Chewang Norphel, another Ladakhi.
Chewang Norphel was the first to invent the concept of making artificial glaciers, ice stupas and providing water to Ladakh & by 2012, he had made 12 such glaciers with the total cost of only 90,000 rupees. For this work,
Norfil won the Jamnalal Bajaj award for Application of Science and Technology for Rural Development for constructing these ice stupas in 2010.
He was also awarded the Padma Shri by the President of India in 2015.
Listen to this.....
@manujsharma_27 That jeep incident was Major Leetul Gogoi and Ajay Devgn's upcoming action film Chauhaan is an intense military drama reportedly inspired by real-life confrontations in Kashmir, including the controversies surrounding Major Aditya Kumar
Bharat without CONgress😍
New terminal at Jodhpur Airport:
Inauguration on 4 July 2026 by PM .@narendramodi Ji accompanied by Union Min .@gssjodhpur Ji.
Cost: ₹480 Crore
Built-up area: 24000 sq. m
Annual capacity: 35 Lakh passengers
6 aerobridges, 40 check-in counters, modern amenities
From here on films will be based on post Dhurandhar era.
Teaser looks promising choicest use of song just like @AdityaDharFilms ❤️
Dhar ne धर diya hai bollywood ko....he has set the trend🥰
After last nights watch of #Dhurandhar2 in terms of it’s sheer cumulative impact in every which way , whether on it’s expected collections , audience euphoria , social influences , cinematic grammar breaking , and above all the psychological audio visual impact , it will be a SHOLAY x 100 level magnificence and is bound to make all the greatest films made so far starting from MUGHAL E AZAM. onwards look like TV SERIALS
This is the BIRTH of a NEW CINEMATIC ORDER
and the ruthless extinction of everything that that ever existed https://t.co/GH4cUJJx9o the previous WORLD of CINEMA
The very spelling of the word DIRECTOR will start from @adityadharfilms name , and it will be prudent and wise for even STEVEN SPIELBERG and CHRISTOPHER NOLAN to drop everything they are doing, and catch #Dhurandhar2 FIRST DAY FiRST SHOW
DHURANDHAR is not a film , it is a QUANTUM LEAP in INDIAN CINEMA
I believe that @AdityaDharFilms has completely and single handedly changed the future of Indian cinema , be it north or south ..That’s because Duradhar is not just a film.. it is a quantum leap
What Dhurandhar achieves is not just scale, but a never before experienced vision not just in sight but in the mind . Aditya Dhar doesn’t direct scenes here… he engineers the states of minds of both the characters and us audience
The film doesn’t ask for your attention.. it commands it. From the very first shot , there’s a sense that something irreversible has been set in motion, and the audience is no longer a spectator but an accomplice to the happenings on screen
This is a film that refuses to be polite. The writing cuts with intent, the staging breathes menace, and the silences are as weaponized as the thunderous sound effects . Dhar understands that power in storytelling is not volume… it’s pressure building . Every sequence feels compressed, like a spring being wound never knowing when it will snap . And when it does, the impact is not just brutal but it is also symphonically operatic
The Performances in the film aren’t designed to be liked but they’re designed to linger long after we leave the theatre .. Characters walk in carrying history on their shoulders, and the film trusts the audience enough to read their scars rather than spoon feed their backstories. This confidence which could be easily mistaken for arrogance is precisely what marks Dhurandhar as a turning point for Indian cinema . Dhar assumes that the audience are intelligent which is the highest respect a director can pay to an audience , whereas most film makers believe in dumbing down their films
Technically, the film redraws the grammar of mainstream Indian cinema. The sound design doesn’t decorate scenes, it stalks them. The camera doesn’t observe but it circles it like a predator. Action here isn’t choreography for applause.. it’s perspectively justified and extremely ugly , the way real violence should feel.
But beyond craft, what truly elevates Dhurandhar is its intent. This is not a film chasing trends or validation. It is a solemn declaration, that Indian cinema doesn’t need to dilute itself to become successful and doesn’t need to mindlessly copy Hollywood. Dhar proved that it can be rooted and still be internationally cinematic.
When the final credits roll, you don’t feel just entertained, you feel altered. And that’s the mark of a filmmaker who isn’t just making movies, but he is reshaping the very ground that all us film makers stand on.
🚨 India’s biggest threat isn’t across the border — it’s the 0.5 Front!
These so-called "influencers" are pushing enemy propaganda while hiding behind free speech!
Exposing them isn’t hate — it’s national duty.
🇮🇳 Narrative war is real. Wake up, India!
Urduwood is not even pretending anymore
They are releasing War 2 on 14th August and calling it Independence Day release!
Whose independence are you celebrating - Bharat’s or your handlers across the border?