roketatara

Blingy💚✨

[roketatara @roketatara]

@filyxxv_ Like the cancelled japanese ip collab was meant for zzz too. I hope we get more stuff that'll be revealed later.

[Shiravune @shiravune]

🍁 $100 GIVEAWAY! 🌰
Repost for your chance to WIN a $100 Global Gift Card! Make sure to check our Steam page for our Shiravune Mid-Autumn Sale! 🛒: https://t.co/hapC6CTaaJ

[Muv-Luv @muvluvseries]

◤ #muvluv Series Hits 1 Million Copies!
　Follow & Repost Campaign
　to Win a Title of Your Choice! ◢

To celebrate 1 million copies sold, we’re giving away Steam keys for your choice of any of the 12 Muv-Luv titles currently available on Steam!!

■ How to Enter
① Follow this account
② Repost this post

■ Number of Winners
100 Winners

■ Campaign Period
Sep 13, 2026 (Sun) – Sep 21, 2026 (Mon), 7:59 (PDT)

Haven’t played them yet? This is the perfect chance to join in!
Already played them? We’d really appreciate your help spreading the word about Muv-Luv!

▼Campaign details:
https://t.co/L61rtTwxAg

[roketatara @roketatara]

@minnettehole @joni_da_king @zenlesszoneleak That's why they need to add more variety for rupture team compositions instead of adding new anomaly character every patch. They can add bis characters for rupture dps if they can make cissia for seed(Even though she's better as a main carry her main purpose was being seed's bis)

[roketatara @roketatara]

@joni_da_king @zenlesszoneleak That's why they need to focus on giving more variety to rupture teams by adding new supports/stunners for them instead of making every 1 of 2 characters an anomaly in every patch.

[roketatara @roketatara]

@joni_da_king @zenlesszoneleak That's why rupture is peak and I don't understand the haters. Every rupture character has its own gimmick but everyone decides to hate on them. They released a billion anomaly characters even with new mechanics but at its core they work the same and that's boring to me.

[roketatara @roketatara]

@CEOofGoku The zoomout from her eye at the start and the rest looks really good. They just need to work on momentum and transition and thinking it's still the start of the beta they'll polish it later.

[roketatara @roketatara]

@_mikyah Miyuki Sawashiro would be a peak va for her imo

[roketatara @roketatara]

@lljustice2 @RiotPhroxzon No one in the replies knows how hard it is to lane with morde in high elo it's hilarious 😂

[roketatara @roketatara]

@blakkswh @Timely_Elation You can unlock the buffs through 6 stages. First one directly unlocks the buff and for the rest each one of them increasing the buffs little by little. You need 1000 of the buff currency for each which could be obtained by doing weekly missions and is quite easy.

[roketatara @roketatara]

@NodusfallVerse The soundtrack could be better but everything else looks really good

[roketatara @roketatara]

@nabusells taeyong albüm

[roketatara @roketatara]

@kitten_brained Burnice should be bumped up tbh

[roketatara @roketatara]

@RiotPhroxzon It would've been a perfect patch if you just scrapped everything except nasus nerf. Even though he needs more adjustments than just his passive.

[roketatara @roketatara]

@farzaddyahmadi @GleamOf1kPlumes There's another 7 day login event that gives boopons and limited pulls

[roketatara @roketatara]

@PHYSBREAK The way you can skip phase 2 too😋

[roketatara @roketatara]

@MediaMorice I really want to pick Hugo because I want to experience the thrill of trying to clear with him. But I don't know what engine I could pick if I go for M1 Lucia.

[roketatara @roketatara]

@PetriciteLoL Add a second turret to top lane to make the lane shorter. It's way too long for a solo lane and makes it impossible to play if you're behind/countered

[roketatara @roketatara]

@TimelySeed My goat banyue still got it

[Katsuhiro Harada @Harada_TEKKEN]

From my perspective, Miyazaki is a rather unique, yet extremely serious game developer.

His career did not begin in the game industry. In fact, he didn’t become a game developer until he was almost thirty years old.

Even among developers of my generation (those of us born in the 1970s), I think it’s remarkable that someone who wasn’t even a game developer during the dawn of the polygon era eventually became one of Japan’s most representative game creators. (In other words, compared to the rest of us from the same generation—including myself—his career path is exceptionally unusual. Most notably, unlike many of us, he was not working at one of the major development studios that held a significant technological advantage during the early polygon era. That, more than anything else, is what makes his path so unique.)

Next, regarding my impression of Dark Souls.

People often focus on its difficulty as a game, but I believe Miyazaki’s true creativity shines through in the world he created. (By the way, I personally think Dark Souls has fairly simple action mechanics, and I don’t actually consider it to be an especially difficult game.)

If you look into my own career, you’ll see that I was personally involved with the Dark Souls series and Elden Ring as the General Manager overseeing both production and marketing (Just to clarify, I wasn't part of the development team itself. My involvement was simply as the General Manager of the publisher-side department overseeing production and marketing). From that perspective, I can say that Dark Souls didn’t suddenly become a massive success overnight. It was the result of everything Miyazaki and his team had built up through their previous titles.

Today, he receives offers from all over the world, but when I think back to the days when he and his team were struggling the most, many of those offers seem like they’re coming from people who only know who they are today. Some of them almost feel like complete reversals in attitude. Well, that’s just my personal perspective.

Personally, I had grown tired of people who would simply compare games by saying things like, “That title cost X billion yen to make and sold Y million copies,” and then use nothing but those numbers to judge them against other games. There were so many people who couldn’t appreciate the journey or the growth of the developers themselves. Anyone can look at the current numbers—they’re available to everyone. Whenever I heard those kinds of opinions, I always thought, “That’s exactly what you’d expect from someone who’s never actually developed games.”
What surprised me even more was that, even if people couldn’t properly evaluate that journey, almost nobody even seemed interested in trying to understand the process of how those developers gradually reached where they are today.
(I'm NOT talking about the fan community).

Now, going back to Miyazaki, there are two things about him that have always stayed with me.

The first was back when I was developing Summer Lesson for VR, around the time it was generating a lot of buzz.

One day, he came to try an early build of Summer Lesson along with people from several other game companies.

While everyone else was laughing, chatting, and having fun with it, Miyazaki alone played it with incredible seriousness. Then, after everyone had finished and started discussing their impressions, he remained completely silent, staring intently at the preview monitor, deep in thought.

Everyone became curious and finally asked him, “Miyazaki, what are you thinking about?”

He suddenly smiled and said,

“Oh… I got completely absorbed in thinking about what I would do if I were making this, and what kind of game I’d create.”

What he talked about after that was, in the best possible sense, completely insane.

It was one of those rare moments when I caught a glimpse of what I’d call his “mad scientist” side—his deeply serious, obsessive approach to creativity.

The other thing that left a strong impression on me was that he generally dislikes video interviews (including live streaming).

I once asked him about it by email, and he replied with quite a long explanation. After reading it, I completely understood where he was coming from.

Simply put, he doesn’t like watching himself moving around on video. (Psychologically speaking, it’s actually a bit more complicated than that.)

But there was another reason.

According to him, there are naturally many people in this industry who know games far better than he does. Whenever he listens to those people speak, he realizes that his own understanding is still shallow, and it makes him feel that he’s not yet in a position to be the one talking about games.

I mean… it’s common for well-known developers to say, “I still have a long way to go.”

But whenever someone like him says that, my reaction is always,

“Come on… if you say you’re still not there yet, then the rest of us won’t feel qualified to talk about games at all.” (laugh)

Anyway, that’s one of the reasons why video interviews with Miyazaki are extremely rare. And conversations with him on camera—especially long-form discussions with another developer—are even rarer. They almost don’t exist at all.

By the way, the other game developer in that photo is Masahiro Sakurai.

If you ask me, he’s basically:

“A Saiyan who genuinely believes he’s just another ordinary human.”

Every now and then, when the rest of us are struggling with some problem, he’ll say something that sounds exactly like Goku saying,

“Well… why don’t you just fly?”

And I’ll reply,

“Because we humans can’t use Flight Technique.”

Then he just stares at me with a completely puzzled look.

To put it in terms of Demon Slayer, I’d describe him as:

"Like Muzan Kibutsuji casually showing up at a drinking party where all the Hashira have gathered, genuinely believing he's just another ordinary guest".

That’s the kind of person he is.