TXT may no longer have a promising future as a group, but Yeonjun still has a long‑term path ahead of him. We urge the company to attach importance to the artist’s individual value.
Since the contract renewal, global and domestic YJ fans have fully supported Yeonjun through award voting and promotions.
This year represents a significant opportunity for Yeonjun to be recognized with the MAMA BEST MALE SOLO award. MAMA announced its ceremony date in March, yet five months later, @BIGHIT_MUSIC announced a tour schedule that directly overlaps with the awards ceremony, leaving Yeonjun without the opportunity to attend and receive the award in person should he win.
This is NOT an isolated case. Yeonjun has also been unable to attend the iHeartRadio Music Awards, the Blue Dragon Series Awards, and the Seoul Music Awards to receive his individual honors, with @BIGHIT_MUSIC@TXT_bighit failing to inform him of winning the awards in a timely manner.
Repeatedly denying Yeonjun the opportunity to be present for and celebrate his own accomplishments is completely unacceptable.
FOUR protest trucks are stationed outside the HYBE building TODAY.
We DEMAND fair treatment & genuine respect for Yeonjun’s achievements and his global fanbase‼️‼️
#YEONJUN #연준 #崔然竣
Yeonjun has devoted himself to the group for all these years, willingly serving as a stepping stone for the team. He kept expressing his gratitude to MOA throughout this solo promotion. Sadly, MOAs fail to understand him.
We demand BigHit properly protect YEONJUN against all hateful harassment and hate trucks.
#BIGHIT_PROTECT_YEONJUN#YeonjunDeservesBetterTreat#YeonjunWillAlwaysBeLoved#STOP_HATE_TRUCKS_AGAINST_YEONJUN
The sight of Yeonjun's tears at GOCHEOK SKYDOME in 2023 feels like it was only yesterday.
Over these years, Yeonjun has continuously given his all to the team — bearing responsibilities, carrying pressure, and never allowing his personal activities to disrupt the group's schedule.
For Part 01, his very first and most significant solo album, there was virtually no promotion — yet he still delivered results that far exceeded expectations. For the team's Tour, he cut short the recording of music shows and missed out on pre-voting. He sacrificed his health and rest to take on choreography for the team on multiple occasions, yet went uncredited. Silently, he has handled work both on and off stage—recording demos, coordinating stage movement, and more. This year, he even designed and gifted the team a commemorative ring, a testament to his loyalty and sincerity toward both the group and the fans.
We had thought that Part 02 would finally receive proper promotion — a plan that Yeonjun and all his supporters rightfully deserved. What followed, however, were abusive comments on anonymous forums and in the retweet sections of @TXT_bighit from OT4 and Anti-fans, along with protest trucks launched during his personal promotion period. All of this has brought deep sadness and bewilderment.
When Yeonjun's choreography went uncredited, where were those trucks? When Part 01 met with ZERO promotional support, where were those voices of so‑called justice? ? If those trucks were truly for the team, why were they not directed at the company during the glorious moment of a grand slam after the 7th anniversary comeback, rather than during Yeonjun's important solo activities???
We respect every fan’s right to raise reasonable opinions regarding the group's management, and we equally believe that the company should provide TXT with more comprehensive and long‑term development plans. However, the timing of this protest, along with the associated account interactions, looks more like a public trampling of a member's individual efforts — carried out by OT4 and Anti‑fans under the guise of "team interest." A member's personal growth is NEVER the antithesis of the team's growth. Treating a member's own opportunities as something to be restricted or questioned is simply absurd.
We will not remain indifferent to such malice. Going forward, we will continue to support and protect Yeonjun through our actions. We also urge more people to recognize that actions welcomed by Anti‑fans should not be condoned, and that @TXT_bighit@BIGHIT_MUSIC@HYBEOFFICIALtwt , as the agency, should better safeguard the legitimate concerns of fans and ensure the safety of their artists. Open and honest love is always a hundred times stronger than malice hiding in the shadows — we will turn our unity and love into the glory and awards that Yeonjun so rightfully deserves.
If the company ignores this truck protest incident, can we interpret this as tacit approval for us to carry out arbitrary anti-fan actions against the members?@TXT_bighit@BIGHIT_MUSIC
We demand BigHit properly protect YEONJUN against all hateful harassment and hate trucks.
#BIGHIT_PROTECT_YEONJUN#YeonjunDeservesBetterTreat#YeonjunWillAlwaysBeLoved#STOP_HATE_TRUCKS_AGAINST_YEONJUN
The sight of Yeonjun's tears at GOCHEOK SKYDOME in 2023 feels like it was only yesterday.
Over these years, Yeonjun has continuously given his all to the team — bearing responsibilities, carrying pressure, and never allowing his personal activities to disrupt the group's schedule.
For Part 01, his very first and most significant solo album, there was virtually no promotion — yet he still delivered results that far exceeded expectations. For the team's Tour, he cut short the recording of music shows and missed out on pre-voting. He sacrificed his health and rest to take on choreography for the team on multiple occasions, yet went uncredited. Silently, he has handled work both on and off stage—recording demos, coordinating stage movement, and more. This year, he even designed and gifted the team a commemorative ring, a testament to his loyalty and sincerity toward both the group and the fans.
We had thought that Part 02 would finally receive proper promotion — a plan that Yeonjun and all his supporters rightfully deserved. What followed, however, were abusive comments on anonymous forums and in the retweet sections of @TXT_bighit from OT4 and Anti-fans, along with protest trucks launched during his personal promotion period. All of this has brought deep sadness and bewilderment.
When Yeonjun's choreography went uncredited, where were those trucks? When Part 01 met with ZERO promotional support, where were those voices of so‑called justice? ? If those trucks were truly for the team, why were they not directed at the company during the glorious moment of a grand slam after the 7th anniversary comeback, rather than during Yeonjun's important solo activities???
We respect every fan’s right to raise reasonable opinions regarding the group's management, and we equally believe that the company should provide TXT with more comprehensive and long‑term development plans. However, the timing of this protest, along with the associated account interactions, looks more like a public trampling of a member's individual efforts — carried out by OT4 and Anti‑fans under the guise of "team interest." A member's personal growth is NEVER the antithesis of the team's growth. Treating a member's own opportunities as something to be restricted or questioned is simply absurd.
We will not remain indifferent to such malice. Going forward, we will continue to support and protect Yeonjun through our actions. We also urge more people to recognize that actions welcomed by Anti‑fans should not be condoned, and that @TXT_bighit@BIGHIT_MUSIC@HYBEOFFICIALtwt , as the agency, should better safeguard the legitimate concerns of fans and ensure the safety of their artists. Open and honest love is always a hundred times stronger than malice hiding in the shadows — we will turn our unity and love into the glory and awards that Yeonjun so rightfully deserves.