Robin Michael

Musician, cellist and wine enthusiast. Principal and solo cellist @mco_london and @LesSiecles artistic director @KinnordyMusic chamber music festival.

[Robin Michael @rozzamichael]

Out in a few days and already available to pre-order!

[Resonus Classics @resonusclassics]

**New Release** Cello and piano duo Robin Michael and Daniel Tong return to Resonus with this dazzling collection of the complete works for cello and piano of Ludwig van Beethoven. Released 31st Jan, you can pre-order now at https://t.co/kPutzINgJF
@danieltongpiano @rozzamichael

[Resonus Classics @resonusclassics]

Listen to a review of Fauré's complete works for cello and piano with @danieltongpiano & @rozzamichael on @BBCRadio3 #RecordReview via @BBCSounds.

Stream on @Spotify or wherever you get your music👉https://t.co/TUZfMbjKQe
Buy the CD👉https://t.co/d8cnNVx7Wt

📷@danieltongpiano

[静岡音楽館AOI @CHS_AOI]

【本日開催！当日券あり！】
11月24日㊐ 15:00
レ･ヴォルク弦楽三重奏団 演奏会

フランスの音楽祭を機に結成されたトリオがAOIにやってくる！ピリオド／モダン楽器を自在に使い分けるスタイルと、古典音楽と現代音楽が交差するユニークなプログラム構成をお楽しみください。
https://t.co/MOl91mWB73

[Robin Michael @rozzamichael]

@nfmusic Maybe they will address the issue of reinstating the orchestra back on to a full time contract now that the issue of the ‘the’ has been taken care of???

[Robin Michael @rozzamichael]

Rehearsing in Stuttgart with the one and only Helmut Lachenmann 89 years young! His new string trio ‘Mes Adiex’. Taking this amazing piece to Tokyo in a few weeks.

[Robin Michael @rozzamichael]

When in Venice…..

[Robin Michael @rozzamichael]

@RichardBratby The great Hamish Milne who taught many of today’s great pianists (at the RAM) described Gould playing Mozart as ‘an example of a very intelligent musician playing in a very stupid way’…….

[Robin Michael @rozzamichael]

@tomcoult Pfffffff

[Robin Michael @rozzamichael]

@jjohnstonmezzo @ace_national So will they reverse the ludicrous decision to @E_N_O orchestra redundant at move it to Manchester?

[Jesse Norman @Jesse_Norman]

I am very sorry to have to say it, but that speech of Robert Jenrick's was lazy, mendacious, simplistic tripe.

[Resonus Classics @resonusclassics]

'[...] immensely rewarding performances that have reminded me just how exceptional a composer Fauré is.' Early Music Review
Read full review👉https://t.co/3Pw2Qtl5yS
Stream on @Spotify👉https://t.co/TUZfMbjKQe
Buy the CD 👉https://t.co/d8cnNVx7Wt
@danieltongpiano @rozzamichael

[Robin Michael @rozzamichael]

Always amazing to come back to Lachenmann’s Pression, working session with Helmut in Stuttgart in a few weeks then concerts in Paris and Tokyo.

[Robin Michael @rozzamichael]

Always amazing to come back to Lachenmann’s Pression, working session with Helmut in Stuttgart in a few weeks then concerts in Paris and Tokyo.

[Robin Michael @rozzamichael]

‘creating a moment of magic from both players..The fluttering cello part in Papillon, op 77 is brought off with virtuoso aplomb..these are immensely rewarding performances that have reminded me just how exceptional a composer Fauré is..’@adambinks1

https://t.co/oymHHGkQfa

[Robin Michael @rozzamichael]

@KinnordyMusic 2024 about to kick off with the wonderful @nickmulroy @WatkinsHuw @TheBeat23 @TristanGurney Tom Dunn and Tom Hankey. Amazing music, come!

[Resonus Classics @resonusclassics]

⭐BBC Music Magazine review⭐
'[...] Robin Michael and Daniel Tong present highly accomplished accounts using period instruments'

Stream the album now on Spotify or wherever you get your music 👉https://t.co/TUZfMbjd0G

Buy the CD 👉https://t.co/d8cnNVwA6V

[Composers Edition @ComposersEd]

Robin Michael and Huw Watkins will premiere Philip Cashian’s ‘Four Winter Moods’ at the Hay Music Festival on Saturday! @rozzamichael @WatkinsHuw @pcashian https://t.co/briI9HvWS4

[Robin Michael @rozzamichael]

https://t.co/3KwTPv2bU2

[Robin Michael @rozzamichael]

@danieltongpiano @adambinks1 @resonusclassics

[The Symphonist @deeplyclassical]

#NewReleases2024 #241
Fauré: Complete Works For Cello & Piano
Robin Michael, Daniel Tong

Period instruments give Gabriel extra lightness and sparkle, but it's the sensitivity of the performers that makes this such a fine #Fauré100 issue.

[Hugh Canning’s Operalogue @hugh_canning]

@ElizAthertonSop @lisanandy @ace_national @nickserota @WelshNatOpera @PrivateEyeNews Serota and Henley should be booted out of @ace_national at the first opportunity. Both are bad faith actors who clearly have insisted on cuts/changes without due process or feasibility assessments. Their actions in post have been shameful.