The fact that the Iranian team isn’t allowed to stay in the US and has to fly in from Tijuana for all of its matches is pretty sinister.
And they are still playing great despite all of that!!!!
America bombed their homeland and then forced them to camp at Tijuana and travel 5 hours just to get to their match.
This is discrimination. THIS IS DISCRIMINATION!!!!!!!!!
Zionists will seize these homes, slap an Israeli flag on them, and then make a post “ look how beautiful Israel is”
They’ve done that in Palestine, and now they’re targeting Lebanon
Victor Wembanyama confirms he wore the thobe in honour of Eid al-Adha.
Eid Mubarak to Wemby, and to all the Muslim Spurs fans. ❤️🌙
May Allah SWT guide him ان شاء الله
This video grieves my soul.
America, how can we stay silent? How can we fund this?
Even more so, American Christians how can you turn your head and not care?
These are God’s children too.
Hey so, I'm a vegan, and I have spent a good portion of my life helping animals, so I hope that you hear me when I say I find it monstrous to even attempt to judge the eating and hunting habits of people experiencing an active genocide. They are being intentionally starved.
Having watched The Devil Wears Prada 2 twice, here are my thoughts.
The worst: The script. Andy has no real character development; it actually regresses her arc from the first film. She mostly just makes phone calls. We’re told she’s writing top-tier pieces, but we never get a sense of a single one. Miranda's wit is gone. She went from Glacial Queen to a softer, almost goofy version of herself, throwing punchlines and making funny faces, almost bordering on physical comedy at times. The costume design isn’t memorable and doesn’t reflect the character's identity or development the way it once did. Madonna's VOGUE montage barely lets the outfits breathe or be appreciated as in the original. Some plot points feel convoluted and overly convenient. Andy’s romantic subplot is totally forgettable and unnecessary. Her assistant adds nothing either. Amari’s potential is wasted.
The best: The cast’s charisma fills the screen and carries a lot of the film. Gaga’s small storyline—hinting at her early, awkward interactions with Anna Wintour—is a nice touch. Bringing the real media crisis into the plot (instead of ignoring it) was a great idea. Some callbacks and fan service land well, the standout being the new car dialogue, where Miranda reflects on the cost of success, along with the meta nod to the real TDWP novel, which ends up being one of the film’s most poignant moments.