Insofar as I've stuck around here at all, it was motivated by the podcast: well, the darn podcast is over, so I've got no excuse.
Find me at the site below, or on my YT channel.
Why are modern movies lit like -THAT-? All your questions are answered - in typically discursive and rigorous fashion - during my final lighting lecture for @VIFFest, available now on the video streaming platform that starts in "Y"!
[Link in reply.]
Why are modern movies lit like -THAT-? All your questions are answered - in typically discursive and rigorous fashion - during my final lighting lecture for @VIFFest, available now on the video streaming platform that starts in "Y"!
[Link in reply.]
Why are modern movies lit like -THAT-? All your questions are answered - in typically discursive and rigorous fashion - during my final lighting lecture for @VIFFest, available now on the video streaming platform that starts in "Y"!
[Link in reply.]
I try to restrain myself from just yelling at clouds like an old man, but when misinformation goes viral it ought to be pushed back against: this video is a nearly-unbroken string of misinformation and should be entirely disregarded when it comes to digital color science.
Most of the aesthetic attributes raised are trivial to calibrate later in the image formation process via a proper color management, look development, and color grading process. This is just total nonsense, and most of what's being described here is poor white-balance matching.
The litany of stuff that's just completely off-base here is remarkable. Virtually everything that this video attributes to the "color science" of any given camera is a functional of image formation pipelines that occur independently of the capture format/camera/brand.
Big, big news! FILM FORMALLY - in which Willa Harlow Ross and I break down the component parts of cinema - returns with a whole new season on June 9th. Subscribe and stay tuned.
Big, big news! FILM FORMALLY - in which Willa Harlow Ross and I break down the component parts of cinema - returns with a whole new season on June 9th. Subscribe and stay tuned.
The third of my four lighting workshops for @VIFFest is live! Right now! That's right!
This week: Subrata Mitra, parallel cinema, the French new wave, and how it took Hollywood years to catch up.
[Link - as is tradition - in the replies.]
The third of my four lighting workshops for @VIFFest is live! Right now! That's right!
This week: Subrata Mitra, parallel cinema, the French new wave, and how it took Hollywood years to catch up.
[Link - as is tradition - in the replies.]