@jwordfish Fair point! A director isn’t worth much if they’re *just* an imitator. Still, I think First Reformed is operating differently than most of highly indebted filmmakers, like De Palma. He’s basically saying hey, you know what Winter Light is about? Well I’m about this instead.
Sorry to wade into discourse but who are the Bergman imitators? He’s been referenced and parodied endlessly, but of the old European canon who are going out of fashion, I’m struggling to think of many who are less imitated.
@jwordfish He starts with Winter Light but takes it somewhere else entirely. The departure is where his voice, sensibility and spirituality make themselves felt. He’s using Bergman, a reference he expects his audience to know, to express his own ideas. It’s not simply imitation
@dogshit95 I remember being a bit disappointed by the last stretch of The Silence, but the first ~2/3rds I *adored*. Some of his best. Gotta revisit sometime.
@dogshit95 First Reformed unabashedly takes from Winter Light but it has a totally different spirit. What it takes from Bergman is mostly superficial. It is a Schrader film through and through. Which is why it works!
It seems highly unlikely that I just saw Hamish Linklater walk out of a subway with two footlongs in Kingston Ontario, but if not then I’ve never seen a guy look more like another guy