Socratech

[Socratech @sadlemonjuice]

Walter White raving Minimax H3 local

[Socratech @sadlemonjuice]

@fed_galactic I used rtx frame interpolation to increase frame rate during generation

[Socratech @sadlemonjuice]

Sailor Moon invasion MiniMax H3 local gpu4090

[Socratech @sadlemonjuice]

Prompt:

Handheld smartphone footage filmed from inside a car during midday on a completely stopped Los Angeles highway. Bright midday sunlight, dense multi-lane traffic at a total standstill featuring cars of different sizes, large trucks, buses and other vehicles under a clear blue sky. A large green highway sign reading “Los Angeles” is clearly visible ahead. The phone is held unsteadily, camera pointing forward through the front windshield with natural reflections, fingerprints and smudges on the glass, and constant shaky smartphone movement.Through the windshield a massive crowd of thousands of identical Sailor Moon characters (classic anime style with blonde odango hair, white sailor uniform, blue skirt and red bow) suddenly appears. The swarm of Sailor Moons uses glowing magical force powers and energy blasts to telekinetically lift, throw and hurl the stopped vehicles - cars, trucks and buses are flung sideways and into the air, creating total chaos across the highway.Several Sailor Moons approach the filming car. One of them punches the front windshield repeatedly with her fist. Visible cracks form and spread with each impact until the glass finally shatters and completely breaks inward. Immediately after the windshield collapses, that same Sailor Moon reaches in with her hand, grabs the smartphone camera, and pulls it outside. She then turns the camera toward herself and takes a cheerful selfie, smiling and holding up a peace sign with her fingers. Behind her in the background the rest of the Sailor Moon crowd continues the mayhem — throwing vehicles with magic powers, flying debris, and widespread chaos on the highway.Photorealistic environment mixed with vibrant anime-style Sailor Moon characters, bright midday sunlight, raw smartphone handheld style with natural shake, motion blur and lens reflections. Continuous chaotic action ending on the close-up peace-sign selfie. No blood, no gore, no text overlays, no logos.

[Socratech @sadlemonjuice]

Prompt:

Handheld cinematic footage with slight natural shake. Photorealistic skin and liquid detail. Continuous wet, organic sound of thick black Venom liquid sliding and pulsing.
Timeline with camera movement:
[0s–3s] Starts in extreme close-up on Zendaya’s face. Camera slowly begins zooming out, gradually revealing her neck, shoulders, arms, and hands down to her fingers. The glossy black Venom liquid starts at her fingertips and slowly creeps upward, coating her skin in a living, rippling layer as more of her body comes into frame.
[3s–6s] Camera continues the controlled zoom-out into a medium shot. The black liquid steadily covers her arms, shoulders, and upper torso. Zendaya looks down, watching it spread across her skin. Liquid sound grows denser and wetter.
[6s–9s] Camera slowly pushes back in toward her upper body and neck. The Venom liquid rises up her neck and begins covering her face — first the skin of her cheeks, jaw, and forehead in a continuous wet flow. Her eyes stay open, tracking the movement.
[9s–12s] Tightening close-up. The black liquid fully coats her facial skin, then climbs into her hair, strand by strand, turning it into the same living black mass.
[12s–15s] Final close-up hold. The transformation completes into pure nightmare-fuel Venom: her head shifts into the classic menacing Venom face with seamless symbiotic wave that covers her face from behind to front of the face — glowing aggressive eyes, rows of sharp teeth, and a long dripping tongue emerging. Camera holds steady on the finished monstrous face.
Throughout: continuous wet liquid sound of the Venom substance moving and sealing, natural handheld micro-shake under the zoom and push-in, photorealistic detail, smooth camera moves only, no text, no logos.

[Socratech @sadlemonjuice]

Zendaya = Venom MiniMax h3 local

gpu4090 image to video:

[Socratech @sadlemonjuice]

@aihonobono2023 Theoretically if you have 24 gb vram with lightweight model like w4a8 you can generate more than 20 seconds since the peak vram would be less?

[Socratech @sadlemonjuice]

@Hopper_Jim_ with smaller resolution you should be able to do it

[Socratech @sadlemonjuice]

@MamadRhman28279 it took 16 minutes, still trying different approach to reduce generation time

[Socratech @sadlemonjuice]

@core_tan Euler is still the best to render faster and keep good quality ?

[Socratech @sadlemonjuice]

@Nate0897623 I used Rtx frame interpolation to increase frame rate I prefers this kind of smooth feel even though there is some artifacts on smaller objects

[Socratech @sadlemonjuice]

Minimax H3 local Cake Rain

[Socratech @sadlemonjuice]

Minimax H3 local CJ invasion

[Socratech @sadlemonjuice]

@ui_nyan Thank you will try!

[Socratech @sadlemonjuice]

@skyevale_ For sure! its like the best what could happen in their life 😁

[Socratech @sadlemonjuice]

@Hopper_Jim_ ahahha me too! i would like to consume all of them

[Socratech @sadlemonjuice]

even has lines on the carpet😳

[Socratech @sadlemonjuice]

MiniMax H3 local nails Nanny Cat camera 😹

[Socratech @sadlemonjuice]

@BennyDaBall_OG @ltx_io how long it took?

[Socratech @sadlemonjuice]

Human Cakes MiniMax h3 local

Prompt:

Shaky handheld smartphone footage, pure first-person view, bright clear Manhattan street under shiny midday sun.The camera jerks, sways and shakes heavily like a real phone held by someone walking backward in panic. Sharp sunlight, hard shadows, clean blue sky above brick buildings and dry asphalt. Strong natural motion blur and smartphone digital noise.
Continuous 20-second sequence (new subject + vehicle every 5 seconds):
[0s–5s] Operator walks backward from a white man in a black agent suit and sunglasses. The operator’s hand silently points urgently behind the man. The man turns his head, eyes widening in shock as he sees a bright red sports car drifting sideways at high speed toward him. The car slides in at an angle with screeching tires and physically slams into his body first — the impact throws him hard against the hood. Only after the physical hit does his body dissipate into a chaotic spray of tiny randomized fragments — almost pure thick cream mixed with very small irregular cake crumbs, no large pieces. The intricate cream explosion splatters in all directions, coating the red hood, windshield and street in messy streaks and droplets. The suit is ripped off by the force and either sticks to the car or drops to the ground. Cream heavily sprays across the lens.
[5s–10s] Camera keeps shaking and moving back. A Black woman in a business blazer. Operator silently points hard behind her. She turns, face reacting with sudden fear as a dark blue SUV drifts sharply toward her. The SUV locks brakes mid-drift and physically smashes into her body first. Immediately after the impact her body dissipates into an intricate burst of tiny randomized particles — mostly thick chocolate cream with only minuscule dark cake crumbs. The fine cream spray coats the blue SUV surface and asphalt in dense, chaotic patterns. The blazer and skirt are torn away, parts sticking to the vehicle mixed with cream, the rest dropping naturally. Chocolate cream heavily splatters the lens.
[10s–15s] Operator still walking backward, phone shaking. An Asian man in a hoodie. Operator silently points behind him. The man turns and freezes in panic seeing a white delivery van sliding into a wide drift. The van physically crashes into his body first. Right after the hit he dissipates into a highly randomized spray of tiny fragments — almost entirely cream with very small scattered sponge and fruit particles. The intricate cream explosion covers the van and pavement in messy droplets and streaks. The hoodie and jeans are stripped off, some cloth remaining on the van mixed with cream, the rest falling with natural physics. Cream hits the lens hard.
[15s–20s] Camera continues with heavy smartphone shake. A Latina woman in a trench coat. Operator silently points urgently behind her. She spins around, eyes wide in terror as a black pickup truck performs a long cinematic drift straight at her. The truck physically hits her body first. Only then does her body dissipate into a fine, chaotic spray of tiny randomized particles — mostly thick caramel cream with only minute golden crumbs. The intricate cream blast coats the truck hood, grille and ground in dense, irregular patterns. The trench coat is ripped off, sections sticking to the truck with cream, the rest falling realistically. Cream and tiny fragments cascade over the vehicle and street, heavily streaking the lens.
Throughout: constant heavy smartphone-style camera shake and jitter, natural motion blur, dense cream sprays and tiny randomized particles hitting the lens, realistic cloth physics, cinematic vehicle drifts, clear physical body impact first followed by dissipation into almost pure cream with only very small irregular cake crumbs (never large pieces or whole shapes), photorealistic, bright clear daylight, raw live smartphone footage look. No text, no logos, no stabilisation.