Opus 5.5 is the biggest jump we've seen in AI motion.
But a better model doesn't give you taste. It gives you better defaults.
Here's 30 seconds of what Opzami does with it ๐
Today we're launching the Opzami beta.
Type one line. Get a launch video with taste.
> Every scene below was made with Opzami
> Running on Claude Opus 5.5
> Every call on timing, easing and what to cut comes from taste we spent months encoding
Opus 5.5 can animate anything. Taste decides what's worth animating.
Beta is invite-only. Reply "TASTE" and I'll DM you an access code.
Add your product URL and we'll make you a launch video too. ๐
Today we're launching the Opzami beta.
Type one line. Get a launch video with taste.
> Every scene below was made with Opzami
> Running on Claude Opus 5.5
> Every call on timing, easing and what to cut comes from taste we spent months encoding
Opus 5.5 can animate anything. Taste decides what's worth animating.
Beta is invite-only. Reply "TASTE" and I'll DM you an access code.
Add your product URL and we'll make you a launch video too. ๐
Today we're launching the Opzami beta.
Type one line. Get a launch video with taste.
> Every scene below was made with Opzami
> Running on Claude Opus 5.5
> Every call on timing, easing and what to cut comes from taste we spent months encoding
Opus 5.5 can animate anything. Taste decides what's worth animating.
Beta is invite-only. Reply "TASTE" and I'll DM you an access code.
Add your product URL and we'll make you a launch video too. ๐
Look what Sonnet 5.5 can do now.
I gave it a prompt.
It researched the product, understood the story, and created the motion graphics around it.
Not a template.
Not a prompt-to-video gimmick.
An agentic motion designer for SaaS.