And new book chapter! "How Do We Explain Inequality Within Artistic and Cultural Occupations? The Problem of Downward Social Mobility" from the dream team of @markrt@OrianBrook @SocSciMcAndrew and me https://t.co/PQHYns3mxs
"enabling brilliant working-class kids to succeed in drama, dance or journalism – their raw talent so obvious, but for too many of whom geography is destiny, we will be a government that walks alongside them" https://t.co/w1JEMgLY0y
“For too long, for too many people, the story we tell ourselves, about ourselves as a nation, has not reflected them, their communities or their lives,” Nandy told staff at the Department for Culture, Media and Sport (DCMS).
This Wednesday, we're launching Pandemic Objects at the Architectural Association in London. A labour of love over the course of the pandemic, rendered into beautiful book form by the AA. I'm so pleased this book exists, so come and celebrate with us! https://t.co/jNASbGgmtj
@johnypitts @FRH210@river_and_root It is tricky, but I think pressure to assimilate, and processes of assimilation with middle/upper classes, especially when pursuing careers in arts, literature etc. are valid working-class experiences in themselves.
I've been fixated on the Whitney Biennial press release lingo, which is so astonishingly vague that it reaches a level of artistry, not to mention parody. So I had to rant on @Filthy_Dreams: Why do curators still talk like this? Who is this FOR exactly? https://t.co/aimbA0yi6j
“But, for those who rely on the B.L.’s collections, and, more broadly, its distribution of free, digital information to the British educational system, the ramifications of the cyberattack have been dire.”
Once again, where is the UK in-depth coverage? https://t.co/TFEcLTMKBK
@Betterhelpers Hi, could you tell me when the next Dippers (3-12months) course begins @AquaticsCentre? We can’t join the January group but would like to join the next one, whenever that may be. Thanks!