Will Nvidia implode? Or is it too big for that? Remember that for US tech giants and AI startups, Nvidia hardware is not just a matter of choice; it is a fundamental infrastructure layer. Nvidia has 90% of the global AI chip market! #nvidia
#HTWknd ✨| The MF Doom video features four players: Abdias Armenteros on sax, TJ Reddick on drums, Sebastian Rios on bass, and pianist Eric “Elew” Lewis.
It’s a classic quartet, but the repertoire is a masked rapper’s back catalogue. The set sounds like a Brooklyn street-corner rap session and a hushed Manhattan jazz club set at the same time, and it doesn’t seem contrived at all.
NJU is technically a trio (Elew is a frequent guest). Its members are aged 25 to 27. They belong to a generation of digital natives routinely accused of gnat-like attention spans, and not generally credited with a proclivity for jazz.
Does the charge stick? Is Gen Z really listening to jazz, and what does it mean if they’re also the ones making it?
Read the full story 🔗 https://t.co/9jvbxNR9RT
(@sanjoynarayan ✍🏻)
Gen Z is making jazz, and it's showing up in hoodies, not dinner jackets. This week in Download Central: New Jazz Underground and the thrill of a new order via @htTweets Link: https://t.co/wycC9wtGth
Punk is coming. Are you ready? A poster on a Runeberginkatu utility box announces the exhibition "PUNK! 50 years of buzz in the streets of Helsinki" , which opened 23 October at Villa Hakasalmi and runs till 29 August 2027. #helsinki#sunday
Now reading Chuck Klosterman's Rock*, which imagines a world where the Velvet Underground outsold everyone. Lou Reed is a messiah, the Beatles are a cult band, and hip-hop becomes country. The songs are the same. Nothing else is.
In India, a group of uncles take on AI via @NewYorker
The Humans Are Coming for A.I.’s Jobs in “We Were Here” | The New Yorker https://t.co/HlKZ7Mzybu via @YouTube