infelizmente é verdade!! resistir ao desconforto é a única maneira de criar qualquer coisa boa. tomar a coragem de continuar trabalhando em algo mesmo quando não tá bom, insistir ao máximo e aparecer todos os dias é a única fórmula pra realizar as coisas. que RAIVA.
quando a isabela boscov disse “Só alguém que leva os outros em consideração, que tem algum bom sentimento para com os outros, pensa em si como a pior pessoa do mundo, quando erra. " 🥹
é muito engraçado quando você realmente presta atenção na conversa de uma criança pequena e entra no fluxo de pensamentos dela constatações magníficas são emitidas
Céline Sciamma on why she made "Portrait of a Lady on Fire" (2019) & on Leonardo Di Caprio being a Lesbian icon:
"Sciamma: What I had in mind above all was to make a film about love, with a totally invented story. And when I thought about it, I found that there were few films totally devoted to love, even though they are often the greatest in the history of cinema. It's rare, even though it's the beating heart of our cinephiles.
Interviewer: What movies were you thinking of?
Sciamma: 'Titanic' (1997), for example. It's a real influence, which I recently revisited. Both films are about the memories of a love affair, almost behind closed doors. I spent a long time looking for a framework and then one day I looked at the script and I thought: "F**k, it's Titanic! It's simply Titanic." There's the prologue, of course, before the flashback, but also the drawing scene, which is very explicit in my film. With this dialogue: "Don't laugh, be serious…"
Interviewer Is it an important film for you?
Sciamma: Collectively, it's important. There are different film regimes that count in our cinephilia: those we love and those that are part of a collective phenomenon. It's rare to experience those moments, especially when it's about 'Titanic' and not 'Qu’est-ce qu’on a fait au bon Dieu?' (2014). Titanic was a cultural moment, and in my life as a cinephile, it's probably the most important one, even more so because of the shared love. And with a real queer dynamic! Leo DiCaprio is a lesbian icon. A very new masculinity at the time, in cinema - with time it deepens enormously, it's exciting to watch. At the time, in that youth and in that body, there was really something hyper queer.
And then the love scene is a total inversion of the conventions: she's on top of him, she reassures him, he’s the one who’s breathless... All that in the back seat of a car, like in any good teen movie. There were great subversive effects in 'Titanic', and that's something James Cameron always did anyway. What it also has in common with my film is the idea that the greatest loves are emancipatory and that the loss of them is the price of our future fulfillment. At the end of 'Titanic', there are three photos of a girl in pants riding a horse! It’s one of the few films that asserts that love can bring positive things, even when it's over. In my opinion, this is one of the hidden reasons for the incredible success of the film."
("CÉLINE SCIAMMA : DiCaprio est une icône lesbienne.", Axel Cadieux, Sofilm, 2020)
P.S: On this day, 7 years ago, "Portrait of a Lady on Fire" (2019) premiered at the Cannes Film Festival, France.
Stellan Skarsgård during his #GoldenGlobes speech:
“In a cinema, where the lights go down and eventually you share the pulse with other people, that is magic. Cinema should be seen in cinemas”
eh mt dificil mas eh fundamental fazer o exercício de enxergar sua vida além das coisas q te entristecem. não é q elas deixem de existir, mas eh sempre bom fazer aquela revisão básica nas dimensões q a gente dá ao q descaralha e ao q preserva o encanto
Existe alguma magia na troca dos letreiros de um cinema de rua. Talvez por ser algo analógico, nostálgico. Um ritual que nos convida a parar, olhar e sonhar.
Cinema São Luiz, Recife, 03/11/2024
📷Clara Lucena