とんかつ

ゲームとマンガとeスポーツとサッカーとアジカンでできています

[とんかつ @sasami_cutlet]

@JELLY_game00 格ゲーチェッカーのイベント一覧から地域絞って検索できます！
https://t.co/DDK5oPL0I7

[とんかつ @sasami_cutlet]

VRゲームで初めて凄い、おもろそう、やってみたいと思えるゲーム見た

[てょんぬ @comocom728]

Maestro、1年やり続けてるけど一向に味無くならん

[SPYGEA⚙高橋 @spygea_jp]

明日、めっちゃカメレオンのカスタムやるぞ！

上位の人にはモンスターエナジーの #バッドアップル リンゴボックスをプレゼントします🍎

📅7月18日（土）21:00〜

5試合やる予定なので参加してみて！
#monsterEnergy

[とんかつ @sasami_cutlet]

7/17（金） 15:00から開催される #シャドババトルフェス ！私は「 #アリサと英雄たち 」！ @shadowverse_jp をフォロー＆参加したいチームを選んでポストすると、抽選で「クロニクル・オブ・デスティニー」10枚をプレゼント🎁 #シャドバWB #シャドバWB1周年

[とんかつ @sasami_cutlet]

@shadowverse_jp 期間限定ログインボーナスにして壁紙配布にしてくれたらいいのにと思う
それぐらいの集客力あるくない？ギルダリア

[とんかつ @sasami_cutlet]

@JELLY_game00 ちょっとこれは世界一可愛すぎて直視ができません

[とんかつ @sasami_cutlet]

おもろすぎるwwwwwwww

[大須晶/ohsuakira📸 @ohsuAK]

まさかの石井プロ、くじ引きでnvdiaの未発売最新ノートPCをツモって俺たちのジェンスン兄とツーショット場面爆誕ｸｿﾜﾛﾀwww

どんな世界線だよ！？^^

[とんかつ @sasami_cutlet]

@spygea_jp めちゃおもろかったっす

[VAULTROOM @room_vault]

VCC TENNIS

ご参加頂いた皆様、ご視聴頂いた皆様
長い時間ありがとうございました🎾🙏

優勝
@sasatikk @obormentv
おめでとうございます🎉

マッチリザルト等は思い出として下記URLに残しておきます
https://t.co/e1mWH2prKX

また次回！どうぞよろしくお願いします

お疲れ様でした🙏

[山本彩 @SayakaNeon]

33歳になりました。

そして今夜、「山本彩 LIVE at武道館」です。

33歳最初の夜を、皆と共に過ごせるのを
楽しみにしてます❤️‍🔥

[電ファミニコゲーマー @denfaminicogame]

【本日まで】『ワールドトリガー』Kindle版の全29巻が、50%オフクーポンで半額。全29巻をまとめ買いすると「1万3737円→6868円」に
https://t.co/wxCIYqpl1G

近界民（ネイバー）と防衛機関ボーダーの戦いを描く“遅効性SF”。多種多様なトリガーを用いた戦闘と、緻密なチーム戦が持ち味のSFアクション

[Doa @doa_wisteria]

繰り返される後悔

[堀出井靖水／新作漫画毎日投稿 @horideiyasumi]

そういうときこそ必要な絵です。(初出:2025/03/28)

[Katsuhiro Harada @Harada_TEKKEN]

From my perspective, Miyazaki is a rather unique, yet extremely serious game developer.

His career did not begin in the game industry. In fact, he didn’t become a game developer until he was almost thirty years old.

Even among developers of my generation (those of us born in the 1970s), I think it’s remarkable that someone who wasn’t even a game developer during the dawn of the polygon era eventually became one of Japan’s most representative game creators. (In other words, compared to the rest of us from the same generation—including myself—his career path is exceptionally unusual. Most notably, unlike many of us, he was not working at one of the major development studios that held a significant technological advantage during the early polygon era. That, more than anything else, is what makes his path so unique.)

Next, regarding my impression of Dark Souls.

People often focus on its difficulty as a game, but I believe Miyazaki’s true creativity shines through in the world he created. (By the way, I personally think Dark Souls has fairly simple action mechanics, and I don’t actually consider it to be an especially difficult game.)

If you look into my own career, you’ll see that I was personally involved with the Dark Souls series and Elden Ring as the General Manager overseeing both production and marketing (Just to clarify, I wasn't part of the development team itself. My involvement was simply as the General Manager of the publisher-side department overseeing production and marketing). From that perspective, I can say that Dark Souls didn’t suddenly become a massive success overnight. It was the result of everything Miyazaki and his team had built up through their previous titles.

Today, he receives offers from all over the world, but when I think back to the days when he and his team were struggling the most, many of those offers seem like they’re coming from people who only know who they are today. Some of them almost feel like complete reversals in attitude. Well, that’s just my personal perspective.

Personally, I had grown tired of people who would simply compare games by saying things like, “That title cost X billion yen to make and sold Y million copies,” and then use nothing but those numbers to judge them against other games. There were so many people who couldn’t appreciate the journey or the growth of the developers themselves. Anyone can look at the current numbers—they’re available to everyone. Whenever I heard those kinds of opinions, I always thought, “That’s exactly what you’d expect from someone who’s never actually developed games.”
What surprised me even more was that, even if people couldn’t properly evaluate that journey, almost nobody even seemed interested in trying to understand the process of how those developers gradually reached where they are today.
(I'm NOT talking about the fan community).

Now, going back to Miyazaki, there are two things about him that have always stayed with me.

The first was back when I was developing Summer Lesson for VR, around the time it was generating a lot of buzz.

One day, he came to try an early build of Summer Lesson along with people from several other game companies.

While everyone else was laughing, chatting, and having fun with it, Miyazaki alone played it with incredible seriousness. Then, after everyone had finished and started discussing their impressions, he remained completely silent, staring intently at the preview monitor, deep in thought.

Everyone became curious and finally asked him, “Miyazaki, what are you thinking about?”

He suddenly smiled and said,

“Oh… I got completely absorbed in thinking about what I would do if I were making this, and what kind of game I’d create.”

What he talked about after that was, in the best possible sense, completely insane.

It was one of those rare moments when I caught a glimpse of what I’d call his “mad scientist” side—his deeply serious, obsessive approach to creativity.

The other thing that left a strong impression on me was that he generally dislikes video interviews (including live streaming).

I once asked him about it by email, and he replied with quite a long explanation. After reading it, I completely understood where he was coming from.

Simply put, he doesn’t like watching himself moving around on video. (Psychologically speaking, it’s actually a bit more complicated than that.)

But there was another reason.

According to him, there are naturally many people in this industry who know games far better than he does. Whenever he listens to those people speak, he realizes that his own understanding is still shallow, and it makes him feel that he’s not yet in a position to be the one talking about games.

I mean… it’s common for well-known developers to say, “I still have a long way to go.”

But whenever someone like him says that, my reaction is always,

“Come on… if you say you’re still not there yet, then the rest of us won’t feel qualified to talk about games at all.” (laugh)

Anyway, that’s one of the reasons why video interviews with Miyazaki are extremely rare. And conversations with him on camera—especially long-form discussions with another developer—are even rarer. They almost don’t exist at all.

By the way, the other game developer in that photo is Masahiro Sakurai.

If you ask me, he’s basically:

“A Saiyan who genuinely believes he’s just another ordinary human.”

Every now and then, when the rest of us are struggling with some problem, he’ll say something that sounds exactly like Goku saying,

“Well… why don’t you just fly?”

And I’ll reply,

“Because we humans can’t use Flight Technique.”

Then he just stares at me with a completely puzzled look.

To put it in terms of Demon Slayer, I’d describe him as:

"Like Muzan Kibutsuji casually showing up at a drinking party where all the Hashira have gathered, genuinely believing he's just another ordinary guest".

That’s the kind of person he is.

[とんかつ @sasami_cutlet]

今作のリズム天国って、さる時計、鳥の大群、小さな生物みたいなずっと同じリズム刻む+特定の合図で別のリズムを叩くみたいなゲーム無くないですか？

リミックス8までやっても見当たらない
あのタイプのリズムゲーが乗りやすくてめっちゃ好きなのに何で無いのだろう？

[とんかつ @sasami_cutlet]

@uruca_sub とりあえずかじりたいなら最新作が遊びやすいですね
でも全部やりそうなら1からがやっぱりオススメですね

[電ファミニコゲーマー @denfaminicogame]

作曲家・下村陽子さんのコンサートが9月25日に東京芸術劇場にて開催。約40年にわたるゲーム楽曲の軌跡を巡る
https://t.co/WCWglCfftR

『スーパーマリオRPG』『FF15』『キングダム ハーツ』『聖剣伝説』『ゼノブレイド』などの名曲を多数演奏。チケットの一般発売は8月22日から

[とんかつ @sasami_cutlet]

@hanataba_yuiha ロボアニメ好きでも原作全て履修済みな方は少ないのでは？

ゲームから興味が沸いて後から原作にハマるなんてのはあるあるだと思います

漫画や小説の原作がアニメ化された時と似たような感じでどっちも楽しめるタイプなら気にならないんじゃないでしょうか

[とんかつ @sasami_cutlet]

@JELLY_game00 ソロでも楽しいですよ
野良の部屋入っても参加型でもどっちでも楽しめると思います

[OooDa @OooDa]

【esports選手図鑑】
僕が作りたかったものを、たくさんの人に手伝ってもらって、やっと公開❗️

国内で活躍する競技選手の「過去」と「今」を、図鑑のように残すサイトです📖
ユーザーのみなさんが更新できるサイトで、まだ未完成なので、みんなで更新していけたら嬉しいです🙏

https://t.co/Y5488AOuUP

【お願い】
情報の誤りに気づいたら、正確な情報への修正にご協力ください。
掲載中の選手・チームで掲載してほしくない情報がある場合は、お問い合わせよりご連絡ください。速やかに対応します。
今後さまざまなタイトルに広げていきます。

まずは覗いてみてください👊