A standout from the latest Margiela show was this Edwardian mourning dress covered in beeswax and cracked open to create the craquelure seen on aged surfaces.
Digital art has a visibility problem.
When the work is done, the journey disappears.
There's no studio covered in evidence. No brushes to clean. Just a file that opens every time, like nothing ever happened. But something did happen. Hundreds of hours or something.
I think those hours matter. I think watching someone move through doubt and into clarity is more valuable than just seeing the clarity. It teaches you that the mess is part of it.
I'll always be creating. That's the only promise I can make. Not that the work will be good. Not that it will land. Just that I'll keep showing up, keep building, keep sharing the road alongside the destination.
Yeah no im definitely doubling down on what I said here
Do you know how much of a fucking technique psychopath you have to be to do this??
Seams and intersections ALL IN ONE LAYER of plain silk organza?? with seam finishes of pretty much only 2mm?? and not a single pucker jfc