And mind you, none of them were crying over a man, they were crying because they wanted the freedom to live their lives the way they chose, and I think that’s what makes their stories even more beautiful.
i wróciliśmy do punktu wyjścia, bo w 2026, gdyby dodała tiktoka jak tańczy w stroju kąpielowym, zostałaby nazwana tortą, grubaską i wyliczono by jej ile kalorii powinna jeść.
maybe im crazy but I feel like there is a very big visual difference between a character actually looking at the viewer and a character just looking at the direction the camera is in
Le foot, la chaleur, l'alcool, le confinement, les fêtes de fin d'année, est-ce qu'il existe un moment où les hommes n'ont pas envie de frapper les femmes ?
The iconic transition to Technicolor in THE WIZARD OF OZ (1939) was done entirely in-camera. The farmhouse interior was painted sepia, and Judy Garland’s stand-in wore sepia makeup and clothing so the moment Dorothy opened the door felt seamless.