"'Eclectic NYCB' said the title of the evening. It was certainly that. Three ballets, very different in style and mood."
@davidmeaddance on @nycballet in Wheeldon's 'Continuum', Ratmansky's 'Solitude', and Balanchine's 'Bourrée Fantasque'.
https://t.co/JAnT2GLpNA
@davidmeaddance reports on a fine evening at @TheJoyceTheater, New York City with the @LimonDance Company in a double bill of José Limón's 'Mazurkas' (being seen in full for the first time since 1964) and #AszureBarton's "quite spellbinding" 'Join'.
https://t.co/nVNjQaO4hv
@davidmeaddance reports on @nycballet Contemporary Choreographers programme. The two new works from this year's Fall Fashion Gala by Alysa Pires and Jennifer Archibald plus Justin Peck's 'Pulcinella Variations' and Kyle Abrahams' 'Love Letter (on shuffle)'
https://t.co/a7vWbTxnVu
@davidmeaddance on the final programme of #FallforDance at @NYCityCenter
'kinda like that' saw #PonyCam gently ribbing dance in all its forms. "An absolute delight, it raised knowing smile after knowing smile."
Plus Miami City Ballet and @TheAusBallet
https://t.co/mJ0z5UbZ8R
@davidmeaddance is @TheJoyceTheater New York City for a very English evening of ballet from @SarasotaBallet: Anthony Tudor's 'Lilac Garden', five Frederick Ashton excerpts and, best of all, Peter Wright's 'Summertide'.
https://t.co/Q1rg9s5S1m
"Packed with wonderful dancing, wit, character, tremendous music and choreography... marvellously entertaining from start to finish"
Nicola Claire on #TheBrownSuite by #BlacBrik at the @RichmondTheatre London, and now touring.
https://t.co/3O2Sa34aJ1
Zoë Hewitt reviews #PamTanowitzDance in Pastoral @BarbicanCentre London.
"There is so much to like... Put everything together, though, and those pleasures rarely seem to gather."
https://t.co/sHH0HhFsaP
Tianyi Li on @ndcwales 'Blue|Glas' double bill @Sadlers_Wells East.
Theo Clinkard’s Ordinary Courage and Alesandra Seutin’s new Untamed. They share ideas around struggle, change and moving forward, but they come from opposite directions.
https://t.co/sl4lDYRlN3
Zoë Hewitt reviews Charlie Khalil Prince’s 'the body symphonic' at The Place, London.
"Sound dominates the evening from the start. Prince swings a microphone above his head until the amplified rush begins to resemble wind..."
https://t.co/KTMwxClvlv
"Individual personalities kept surfacing..." @northernballet are "a company capable of making three very different choreographic worlds feel fully lived."
Zoë Hewitt on Three Short Ballets (Tiler Peck, Hans van Manen, Mthuthuzeli November) at @rbo_org
https://t.co/Z48kQKIbTd
@davidmeaddance reviews @LonCityBallet at the @TheatreRBath in a triple bill of Ashley Page's 'Mephisto Waltz', Jerome Robbins' 'Quiet City' and Glen Tetley's 'Firebird', the latter featuring a stunning performance by Francesca Velicu.
https://t.co/5M399r0nBI
"But then he was suddenly faced by the quite delicious Yu Kurihara. Her Odile was assured, dominant, strong. She dazzled the court and all of us watching."
@davidmeaddance on @BRB#SwanLake at the @brumhippodrome with Kurihara and Yasiel Hoderlín
https://t.co/Mjc9st1d7d
Charlotte Kasner reports from @Sadlers_Wells on #englishnationalballet 'Rhythm Riot' triple bill of works by George Balanchine, Micaela Taylor and Jae Man Joo.
https://t.co/07Flf4Lrkh
"A feast of heartbreak with excellent dancing and drama at its best. Each act concluded with roaring applause, a rare thing in Munich."
Jeannette Andersen on #BayerischesStaatsballett in John Neumeier's Lady of the Camelias @bay_staatsoper.
https://t.co/ALOEEDXP2I
Clara Gibson Maxwell is an American choreographer, long time resident in Paris. @davidmeaddance looks at a new book published by #TheFilmGallery, 'Clara Gibson Maxwell: Dancing on the Edge' that accompanied a recent exhibition of her work in the city.
https://t.co/m1fjAJPBYa