In the 10th chapter of The Secrets of Painting, I experiment with techniques used by Rembrandt van Rijn to paint ‘A Man in Armour’ (1655). These photographs show the development of a study I made inspired by Rembrandt’s ‘A Man in Armour’ on display @KelvingroveArt
the blakc man exists in a condition
the blakc man does not ask for sympathy; he asks for recognition
the blakc man is always in the present tense
the blakc man is not resolved