ShawnEXE

Software Developer |

[ShawnEXE @shawn_exe]

Need some help understanding genesys day 2 cutoff. I went 5-3 and was somewhere around 100th place. Based on this i think I made day 2?

Can anyone help confirm?

[Katsuhiro Harada @Harada_TEKKEN]

From my perspective, Miyazaki is a rather unique, yet extremely serious game developer.

His career did not begin in the game industry. In fact, he didn’t become a game developer until he was almost thirty years old.

Even among developers of my generation (those of us born in the 1970s), I think it’s remarkable that someone who wasn’t even a game developer during the dawn of the polygon era eventually became one of Japan’s most representative game creators. (In other words, compared to the rest of us from the same generation—including myself—his career path is exceptionally unusual. Most notably, unlike many of us, he was not working at one of the major development studios that held a significant technological advantage during the early polygon era. That, more than anything else, is what makes his path so unique.)

Next, regarding my impression of Dark Souls.

People often focus on its difficulty as a game, but I believe Miyazaki’s true creativity shines through in the world he created. (By the way, I personally think Dark Souls has fairly simple action mechanics, and I don’t actually consider it to be an especially difficult game.)

If you look into my own career, you’ll see that I was personally involved with the Dark Souls series and Elden Ring as the General Manager overseeing both production and marketing (Just to clarify, I wasn't part of the development team itself. My involvement was simply as the General Manager of the publisher-side department overseeing production and marketing). From that perspective, I can say that Dark Souls didn’t suddenly become a massive success overnight. It was the result of everything Miyazaki and his team had built up through their previous titles.

Today, he receives offers from all over the world, but when I think back to the days when he and his team were struggling the most, many of those offers seem like they’re coming from people who only know who they are today. Some of them almost feel like complete reversals in attitude. Well, that’s just my personal perspective.

Personally, I had grown tired of people who would simply compare games by saying things like, “That title cost X billion yen to make and sold Y million copies,” and then use nothing but those numbers to judge them against other games. There were so many people who couldn’t appreciate the journey or the growth of the developers themselves. Anyone can look at the current numbers—they’re available to everyone. Whenever I heard those kinds of opinions, I always thought, “That’s exactly what you’d expect from someone who’s never actually developed games.”
What surprised me even more was that, even if people couldn’t properly evaluate that journey, almost nobody even seemed interested in trying to understand the process of how those developers gradually reached where they are today.
(I'm NOT talking about the fan community).

Now, going back to Miyazaki, there are two things about him that have always stayed with me.

The first was back when I was developing Summer Lesson for VR, around the time it was generating a lot of buzz.

One day, he came to try an early build of Summer Lesson along with people from several other game companies.

While everyone else was laughing, chatting, and having fun with it, Miyazaki alone played it with incredible seriousness. Then, after everyone had finished and started discussing their impressions, he remained completely silent, staring intently at the preview monitor, deep in thought.

Everyone became curious and finally asked him, “Miyazaki, what are you thinking about?”

He suddenly smiled and said,

“Oh… I got completely absorbed in thinking about what I would do if I were making this, and what kind of game I’d create.”

What he talked about after that was, in the best possible sense, completely insane.

It was one of those rare moments when I caught a glimpse of what I’d call his “mad scientist” side—his deeply serious, obsessive approach to creativity.

The other thing that left a strong impression on me was that he generally dislikes video interviews (including live streaming).

I once asked him about it by email, and he replied with quite a long explanation. After reading it, I completely understood where he was coming from.

Simply put, he doesn’t like watching himself moving around on video. (Psychologically speaking, it’s actually a bit more complicated than that.)

But there was another reason.

According to him, there are naturally many people in this industry who know games far better than he does. Whenever he listens to those people speak, he realizes that his own understanding is still shallow, and it makes him feel that he’s not yet in a position to be the one talking about games.

I mean… it’s common for well-known developers to say, “I still have a long way to go.”

But whenever someone like him says that, my reaction is always,

“Come on… if you say you’re still not there yet, then the rest of us won’t feel qualified to talk about games at all.” (laugh)

Anyway, that’s one of the reasons why video interviews with Miyazaki are extremely rare. And conversations with him on camera—especially long-form discussions with another developer—are even rarer. They almost don’t exist at all.

By the way, the other game developer in that photo is Masahiro Sakurai.

If you ask me, he’s basically:

“A Saiyan who genuinely believes he’s just another ordinary human.”

Every now and then, when the rest of us are struggling with some problem, he’ll say something that sounds exactly like Goku saying,

“Well… why don’t you just fly?”

And I’ll reply,

“Because we humans can’t use Flight Technique.”

Then he just stares at me with a completely puzzled look.

To put it in terms of Demon Slayer, I’d describe him as:

"Like Muzan Kibutsuji casually showing up at a drinking party where all the Hashira have gathered, genuinely believing he's just another ordinary guest".

That’s the kind of person he is.

[ShawnEXE @shawn_exe]

@minyang369 I was already testing three champions in masterduel and I was disgusted when I saw the new fusion. Legitimately terrified of matching up against new branded for nats

[ShawnEXE @shawn_exe]

@fedginator Cool visual, I wonder how many of the lists for tops/wins for KT include rosewhip. I think that makes a difference for a lot of matchups. The limit to overtake is alot bigger than people think. KT is resilient to handtraps but they are weak to removal so less extenders can add up

[ShawnEXE @shawn_exe]

@scoutbuggy I feel like the only deck this has felt like an issue on is vs branded. One spicy tech ive been playing post side is super poly with dragon that devours the dogma so that drastea into drastrius is otk without playing into nib

[ShawnEXE @shawn_exe]

@fedginator Thats partly why I add the f0 package because any 2 card combo hand gets you regulus, varudras, udf, drastrius setup + trap

But also I think its incorrect to cut down on any additional engine since literally every card that is not the normal summons is extension into handtraps

[ShawnEXE @shawn_exe]

@Gamebreak0r Maybe instead designers should focus on making the main deck monsters have more board presence with real effects on field and also when going to grave white it was material on an xyz.

[ShawnEXE @shawn_exe]

@Gamebreak0r Ryzeal cross, doomz drastius, k9 ripper, goblin biker gossip shadow, exosister folded to nib until karmael

Alternatively a toxic boss monster like noir or ariseheart

Probably the least toxic is spright using gigantic. So maybe that would be the route.

[ShawnEXE @shawn_exe]

@CentamoreJarrid Lol that commentor is me, nothing is as satisfying as doing over 10k piercing damage with shark drake leveiss

[ShawnEXE @shawn_exe]

@YuGiOhCardEU #TrapHolic please omg

[ShawnEXE @shawn_exe]

@DrBlutdruck AH. My had sorry, completely forgot about that other effect of hugin.

[Jay CRITICS CHOICE AWARD NOMINATED Kay ✨ @JayKay_4evr]

evil doesn’t die, it reinvents itself

[Lukas Arnold @LukasTArnold]

Just two NYC kids gabbing @ZohranKMamdani

[ShawnEXE @shawn_exe]

@Respect_YGO Is abyss dweller banned in AE? If so mermail is really good into ryzeal and blue eyes. Maliss MU is a coin flip but everything about maliss is coin flip lol

[ShawnEXE @shawn_exe]

Stage start also works, you just add Dock off brute which still gets you second stage

[ShawnEXE @shawn_exe]

Funk Dock add stage
Stage special brute
Brute add Stage
Stage special driller Link into valcan booster Add Funk Dock
Valcan booster special driller
Link into Camellia
Camellia dump engage
Link Camellia into Kagari add back engage
Set Funk Dock (3 spells)

[YGO News @YuGiOhNewsTCG]

❰𝗗𝘂𝗲𝗹𝗶𝘀𝘁’𝘀 𝗔𝗱𝘃𝗮𝗻𝗰𝗲❱
During the Duelist’s Advance live stream, Konami revealed a brand new World Premiere archetype “R.B” 🤖

❇️ R.B. The Brute Blues - Ultra Rare
❇️ R.B. VALCan Booster - Ultra Rare
❇️ R.B. Stage Landing - Secret Rare

#遊戯王 #YuGiOh #유희왕

[ShawnEXE @shawn_exe]

@ygoretrogames #YGOEDCSweepstakes #OutNow