Taylor, LOOK WHAT YOU MADE ME DO; we have no choice left but to beg you for a Biden endorsement. We remember Trump's presidency ALL TOO WELL and think we should NEVER EVER EVER GET BACK TOGETHER with that man. Please, please, PLEASE give us 2024 (Biden's version).
APPROPRIATE now playing at the Helen Hayes. Please do not miss this work of brilliance by Brandon Jacob’s Jenkins. I am going back. Still have goosebumps from last night’s performance.
Almost want to publish the text thread w/@NoraPrinciotti about the @nytimes opinion drive-by shooting, but as Nora pointed out: she *just* told us in the 1989 TV liner notes how hurtful this is. Flowery, intelligent-sounding language doesn’t make it any less of a public assault.
I have a story to tell about what happened today at the matinee of Merrily We Roll Along on Broadway. (The production is spectacular, one of the best I've ever seen, and I've seen two previous horrible versions of it.) An understudy went on for the female lead, Lindsay Mendez. 1/
Jeanine Tesori is only the second woman in history to have more than one Tony for Best Score (following Betty Comden's three). Let that sink in. #TonyAwards
I just want to acknowledge the genius of Kara Young. Nominated for her first Tony Award for her work in Clyde’s (her Broadway debut) last year and follows up with a nomination for her work in Cost of Living. She’s on another level and you all should see everything she stars in.
Congratulations to @parabasis, winner of this year's NBCC award in nonfiction for "The Method: How the Twentieth Century Learned to Act," published by @BloomsburyPub. #nbccawards#nonfiction
Sammi Cannold (@sammicannold), who directed a concert version of "Evita" at @NYCityCenter in 2019, will direct a full production of the musical next year at @americanrep in Cambridge, Mass. and then at @ShakespeareinDC.