Imposible no caer rendido ante el desbordante y barroquista trabajo de fotografía de Slocombe en THE SERVANT (Losey, 1963), un prodigio de planificación coreográfica y distorsiones ópticas que acentúa las desiguales relaciones de poder entre sus protagonistas.
@springaches THANK YOUUUU BEB unfortunately it’s not part of something bigger I was just bored and felt the need to refresh myself but maybe it can be included in a future project v_v
@dulcetyun They live tgt yes but she is mj’s dog first and foremost however there’s a lot of pics jm has taken of them… so it’s like. Lowkey real and true coparenting