Olivia
Online
â ððððððð
@sickmindedrick
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ۋ
€ ððððððð â ð¹ð°ðªð² â ð®ð¶ð»ð¬ð©ð¬ð«ð«ð¬, ðððð
ðŸð¢ð§ðð ____
Joined July 2020
71 Following
68 Followers
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â â
â ð¹ð°ðªð² â ð®ð¶ð»ð¬ð©ð¬ð«ð«ð¬ â
ââââ THE SERIAL KILLER
/ THE BLOODSUCKER
you have no idea
who I am,
do you . . . ? ã
#OCTH
â â â â
ïž
â â ðšouâ wannaâ goâ backâ to
â â thatâ ð¡ðððâ ?â ðð«â doâ you
â â wantâ aâ *ðµÍðÍðŽÍðÍð·Í â ððð°ððâ ?
ïž
Grace Kelly in a publicity still for To Catch a Thief (1955)
Monica Vitti as 'Modesty Blaise', 1966
Who to follow
REUBEN CR0W.
@ANONYMOUSCH4SER
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â ⎠#ðððððð (/ËvÉjÉ/) :
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someone who ð©ððð©ð¬, or
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ððððð on other pÍeÍoÍpÍlÍeÍ.
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@BARBlEC0REGIRL
Norm̶a̶l̶-man
@veraciousnorman
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ââ â LAPD â â â â â â â â â â â â
â â â a homicide detective
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elizabeth taylor: succession intro addition
Hitchcockâs use of mirrors in Psycho is a truly remarkable tool. He not only foreshadows events by also allows the audience to see much deeper into the characters and who they truly are. They allow us to see the psychotic split personality and deranged mind of Norman Bates.
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â â j'aime écouter non pas les mots
j'aime écouter les regards, les gestes
â â j'aime écouter l'âme des gens
â â â â â https://t.co/TglvnSGzJ2
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A̶l̶p̶h̶a̶ ðð²ðð® O̶m̶e̶g̶a̶
ðð¬ðð£ ðð§ðð«ð€ð§
#octh
https://t.co/cM49TlAVAZ
@TheNoicestGuy àžàž·à¹àžàžà¹àž²àžà¹àž«àž¡à¹?
àžàž¡àž¢àž±àžàžàž¢àž¹à¹àžà¹àž° àžàž£àž±àž
James Cagney reading his script on the set of Footlight Parade (1933)
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àž¢àž±àžàž¡àžµà¹àžàž£àžàž¢àž¹à¹àž«àž£àž·àžà¹àžàž¥à¹àž²...?
( àž¡àž²à¹à¹ )
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#ððâðð¢ðð¢ðŠððŽð
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