South East Blockchain & Games week coming up this AUG is calling on contributors to curate this experience!📣
Come Join us:
- Graphics & UI/UX Designers
- Social Media Manager
- Web Developers
- OPs & Program Manager
- Video editors/creators, etc
Apply: https://t.co/QYtv9kIbrD
Last week we made a statement, now we’re advancing it!!🀄️
We’re bringing two of the biggest industries together for 1 week - BLOCKCHAIN & GAMING
Convened by @kevin_chibuoyim@leosam24@silversnow007 & supported by the ecosystem
South East Blockchain & Games week is coming 🇳🇬🚀
South East 🇳🇬 is home to a prominent blockchain & gaming culture!!
Built solidly over the years, now, we’re curating the ultimate 1 week experience to showcase it.
Join us this Aug 17-22, 2026.
South East Blockchain & Games week is coming soon!
Follow us @SEBchainGamesWK🀄️🎮
South East 🇳🇬 is home to a prominent blockchain & gaming culture!!
Built solidly over the years, now, we’re curating the ultimate 1 week experience to showcase it.
Join us this Aug 17-22, 2026.
South East Blockchain & Games week is coming soon!
Follow us @SEBchainGamesWK🀄️🎮
@Harri_obi I believe I can fit into a creative managerial role, as I have led multiple creative teams to build works that are of international standard and quality, and in terms of solana campaigns that is something I can also bring to the marketing and outreach of super team
Creator transparency isn't a feature, it's respect.
Most webcomic platforms keep creators in the dark. You don't know how your earnings are calculated, why the algorithm buries or boosts your work, or what percentage of ad revenue is actually yours. You just get a number at the end of the month and hope it makes sense.
That's not a partnership. That's a holding pattern.
At Toon Central, we are building the artist dashboard around one question: what does a creator need to know to make the best decision for their career right now?
That means real-time earnings broken down by source. Audience data you actually own. Algorithm signals you can act on. And monetization tools available from day one not after you've already proven yourself to the platform.
Tips, subscriptions, ad revenue, merch, exclusive content tiers all live and all yours to control, whether you have 500 readers or 500,000.
And your IP? Stays with you. Always.
The platforms that win long-term are the ones that make creators genuinely successful. We're building that platform.
Toon Central. Built for the creator first.
Toon central was is and has always been a creator first alternative, at the heart of things we are building an infrastructure that gives creatives all the needed leverage to survive in a harsh world. We are building, Toon central is coming, we will be bigger than your favourites!
Creator transparency isn't a feature, it's respect.
Most webcomic platforms keep creators in the dark. You don't know how your earnings are calculated, why the algorithm buries or boosts your work, or what percentage of ad revenue is actually yours. You just get a number at the end of the month and hope it makes sense.
That's not a partnership. That's a holding pattern.
At Toon Central, we are building the artist dashboard around one question: what does a creator need to know to make the best decision for their career right now?
That means real-time earnings broken down by source. Audience data you actually own. Algorithm signals you can act on. And monetization tools available from day one not after you've already proven yourself to the platform.
Tips, subscriptions, ad revenue, merch, exclusive content tiers all live and all yours to control, whether you have 500 readers or 500,000.
And your IP? Stays with you. Always.
The platforms that win long-term are the ones that make creators genuinely successful. We're building that platform.
Toon Central. Built for the creator first.
Toon central stands out in a lot of ways and one of those ways is Toon shorts, my favourite place to go at toon central to unwind and relax, there’s so much diverse and engaging content there. From slice of life, to comedic to action, whatever you want, you can find it there.
We all grew up watching and reading the likes of super strikers, iron kid, avatar the last airbender and Ben 10. But despite these being inspiring stories people have always asked where are own local heroes, well they are here now, There is a story that you should read that would reignite the spark you had as a child. That story is City Hero, the story follows the life of an average kid called soma, who wasn’t the most liked kid in school and even bullied, and how in just one day his whole life changed when he was chanced to obtain the worlds most powerful device called the Activian. But with great power comes great attention, and he also have seemed to have attracted people who are also after the device for their own use.
Go check it out using the link below:
https://t.co/IuZbxht7ay
When you search toon central on At toon central on your meta it will tell you it one one the biggest shifts happening in the creative industry, the Netflix for African creators. But I would like to go a little more in depth into what we have built.
We started building out toon central hub since 2024 as a test project to ascertain value and interest, with the mindset that we needed to build a place where creators can earn fairly and people who wanted diverse and unique African stories or black owned content, would be able to easily find heroes and characters that look like them. We have successfully done that, our motto “Giving Africa a Voice”, wasn’t gotten by chance, it was intentional as that is our plan.
The global creative economy is worth over $2 Trillion , in which the global animation industry is valued at $436 billion and the comics industry as well is valued at $27 billion dollars, and expected to grow more.
Now Africa's animation market was valued at $15.71 billion in 2025 and is projected to reach $31.93 billion by 2034, growing at a CAGR of 8.2% and African webcomics are expected to grow at a CAGR of 13–15% between 2024 and 2028, outpacing global averages, driven by a young, mobile-native population.
Africa's current stake is small but accelerating rapidly. The continent has an enormous untapped advantage: the world's youngest population, rich storytelling traditions, and mobile-first internet access. The gap isn't in creative talent , it's in infrastructure, funding, and monetization structures. That's the frontier. And we at Toon central are leading that charge to unlock the creative economy.
What we have built on Toon central is not just a platform, but an infrastructure that has been developed with the understanding of the pain points of our own local creatives and offers them all the needed leverage to scale so that their voices can be heard and our stories told, that is toon central.