⚠️ J-2 before the ALL TIME BEST LIVE one man live ⚠️
Watch MADKID « Change The World » - street live performance in Akihabara -
https://t.co/eL55ef1IuI
#MADKID#MADKID_CTW#MADKID_FutureNotes
Si vous avez des questions pour @epithymia_ofcl n’hésitez pas à nous les en commentaire ⬇️
Nous leur poserons peut-être au Meet&Greet de 17h au @JapanTours37 💎
If you have any questions for EPITHYMiA, tell us in the comment! We will maybe use it for the M&G today💎
ENHYPEN 포토북 'COMPLETE EDITION'과 ‘BAZAAR STAR’의 첫 번째 에디션은
'The Cosmic'을 주제로 하는 두 개의 챕터를 담고 있습니다.
ENHYPEN이라는 거대한 우주를 담아낸 'SPACE ODYSSEY'와
멤버 각각의 별자리를 모티프로 삼아 고유한 성향과 에너지, 지금 이 순간의 존재감을 시각적으로 풀어낸 'ZODIAC'.
'COMPLETE EDITION' 포토북과 'BAZAAR STAR'는 6월 23일 예약판매를 시작으로 7월 8일 출시 예정입니다.
#ENHYPEN #엔하이픈
#COMPLETE_EDITION #THE_COSMIC
#BAZAARSTAR #바자스타
If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏
If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets.
There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally.
Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any.
It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside.
More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist.
I’m not trying to ask for pity, nor demand anything, unless this resonates with you.
But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple.
Please go follow artist’s socials.
Please go subscribe to their Youtube channels.
Please find them on Spotify.
Please interact with them by commenting and letting them know you’re there to support them.
Please share your passion with the people around you.
AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage.
I am not exaggerating when I say it IS a miracle and it might never happen again.
I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation.
Thanks for listening, if you made it this far🫶
Let’s keep Rocking On.
NANO
@YOUTA_MDKD YOU-TA, your English has really improved!!
今日の発音についてアドバイスするとしたら、
長い単語は一つ一つの音をもっとはっきり発音するのを意識するといいかも^^
それと、日本語だとRとLは同じだけど
英語では違うから
そこを少し意識するともっと良くなると思う〜
頑張ってね! 応援してるよ! 🫶🏻
Today we celebrate Nakajima Kento’s birthday🎉
And for this occasion, we released a personality test to find out your Kenty Card!
Try the test: https://t.co/FOchHGTfUo
FR & JP versions coming soon!
Collab with @Plushiies#中島健人誕生祭2026#HBDKentoNakajima2026@KENTO_Team_N