Created a resource, Black Canadian Film, that documents films made by Black Canadian filmmakers, Canadian films about the Black experience, etc.
https://t.co/H1QH55Yamm
I had the pleasure of being on @NPRItsBeenAMin this week with @bmluse and @calllmenadira talking about IS GOD IS, KILL BILL and revenge narratives.
https://t.co/IS9UXY1T1S
for @TorontoStar, i wrote about The Revue’s first ever Bleak Week, featuring a very Toronto lineup of despairing movies to have a bad* time at
*great https://t.co/WKakC2dd1x
Bonus #TIFF26 details:
-"P&I" screenings now "Press & Market" screenings; every film in fest gets one P&M screening; films not in fest get market screenings accessible only to market badge-holders; sales titles in fest can pay for extra market screenings
-TIFF Selects phased out
For @Letterboxd Journal, I wrote about three of the best films from #Cannes: Katharina Rivilis's I'LL BE GONE IN JUNE, Clio Barnard's I SEE BUILDINGS FALL LIKE LIGHTNING, and Marine Atlan's LA GRADIVA
Read: https://t.co/CXw0r95lHy
NEW: @Telefilm_Canada report on Q1 Canadian theatrical box office reveals great numbers:
-Total box office revenue in Canada was $229.4M, up 27% from same period in 2025
-Canadian films earned $5.8M, up 39%
-English-language Canadian films earned $4M, up 166%
Film sector responds as the CRTC announces the elimination of Programs of National Interest (PNIs), which traditionally protected non-commercial programming including documentary. https://t.co/yxMObmMKts
I had the pleasure of chatting with Boots Riley about his wonderful film I Love Boosters for @exclaimdotca. If you can only see one film this weekend make it this one! https://t.co/Ai8uhKr1cH
with drake dropping 3 albums in one day calling out more than a dozen former bromances, i talked to experts about how men deal with broken friendships and why it’s so hard to heal
https://t.co/wNc4CPv2J3