Happiness and sorrow, growth and wasting, strength and weakness, virility and impotence, knowledge and ignorance, as well as life and its cessation depend on sleep.
Happiness and sorrow, growth and wasting, strength and weakness, virility and impotence, knowledge and ignorance, as well as life and its cessation depend on sleep.
The only issue with casting a fair actor is that if a character in the film or show says “he’s dark-complexioned,” it won’t make sense visually.
This looks abnormal and not so good (to me).
This whole idea of “cast someone dark-skinned for Rāma/Kṛṣṇa” or “use VFX to make their complexion blue” is unnecessary,
because the actual divine complexion can’t really be shown anyway. So it’s fine to cast someone who looks right on screen, even if they’re fair-skinned.
You must have seen paintings, art-works of Rāma in blue and green complexions, are they confused? are they wrong? No.
His complexion is said to be नील-हरिताभ-उज्ज्वल, blue;with some green radiance and bright light upon it.
Also “केकीकण्ठाभनीलम्” Just as the bluish radiance+
@urugayah_@Saffronvaishnav He is actually trying to say that स्वभाव me difference hai, aur samay ke anusar कृष्ण sahi ha but भगवान sacrifices only when it comes to him, otherwise सुग्रीव , विभीषण ko kyun nahi bola ki tyaag do Raj Paath? In fact both of them said kuch nahi chahiye but राम जी ne diya.
@v169u Sanjaya, while narrating it to the King, said the same thing a Yuga before.
“the field of battle looked beautiful like the firmament bespangled with stars.”
“Elephants and steeds and soldiers, bathed in blood, looked beautiful like the celestial forest of Parijata.”
Karṇa did not know about Aśvasena (the serpent). He had entered one of Karṇa’s arrows so that he could be discharged at Arjuna.
After Kṛṣṇa saved Arjuna by pressing the chariot down with his foot (Based). Aśvasena told Karṇa to shoot him again at Arjuna, but Karṇa refused.