ana sofia ꩜

una convulsión

[ana sofia ꩜ @sofashkbd]

tonos de mar

[Laetitia Portal @LaetitiaWilfert]

Botticelli,
Dante and Beatrice dans les étoiles

[Bárbara Bezina @BarbaraBezina]

Emanaciones

[Ayobamiji @Ayobamijiiii]

i just want to exist without feeling like i'm constantly recovering from something

[🖤 Buy Physical Media 🖤 @VHSDVDBLURAY4K]

This almost 100 year old masterpiece is set in 2026

[Carmen 🥀 @carmengaladhrim]

Anaïs Nin about love and eroticism ❦

[︎ ︎︎ @000prz]

William Rimmer, Flight and Pursuit, 1872.
Edgar Ende, Der dunkle und der helle Engel, 1946.

[sean @DilettanteryPod]

David Hockney photography

[rodrick @randmtwtuser04]

#literallyme

[misa! @misak1nz]

the saddest version of me kept going and i’ll forever be grateful

[artilugia @grisaze]

mucho antes de que yo soñara Leonora Carrington pintó mis sueños

[Lost In Film @LostInFilm]

Marjane Satrapi (1969 — 2026)

[✧˖ @colditioner]

“when i choose to see the good side of things, i'm not being naive. it is strategic and necessary. it's how I've learned to survive through everything”

[Rynna ☭ @rinnitensei]

There is something about this album cover that makes music sound great

[Bobby Castro @BobbyCastro1994]

Brainstorm (1983) / Just Like Heaven (2005)

[DepressedBergman @DannyDrinksWine]

Agnès Varda on the mystery of 'La Pointe Courte' (1955):

"There’s a mystery to 'La Pointe Courte' (1955) that I’ve never been able explain: whatever drove me to make a film? I knew nothing about the cinema, first of all because I never went to the movies; by the age of twenty I’d only seen a maximum of about twenty films. Nor did I live among people who were in any way involved in film.

I really believe that I undertook La Pointe Courte the way you write your first novel, not caring whether it will be published or not. Of course I was an avid reader at that time so you can discern the imprint of literature in my film: the film was directly inspired by Faulkner’s 'Wild Palms'. Not in its story line but in the way it’s constructed: you know, the way it alternates between the story of the couple and the rising waters of the Mississippi.

I loved this feeling of suspension, somewhat annoying as you’re reading but which feels quite extraordinary in retrospect. In France it was a time when we were beginning to talk a lot about Brecht’s theory of distanciation. I hadn’t yet read any theoretical writings on this but I was fascinated by this attempt to interfere with the spectator’s identification with the film’s characters."

(Agnès Varda's interview with Jean-Andre Fieschi & Claude Ollier, 1965)

P.S: Remembering the great Agnès Varda on her 98th birthday!

[karla zárate @espia_rusa]

Un trío con lo real, lo simbólico y lo imaginario.

[fer @estoylejosamor]

la nueva moda que arrasa entre los jóvenes: los derechos humanos