Another friday another iconic film from Tamil cinema .
Fake success meetlu, forced writing, box-office track cheyyadaniki thappa deniki panikiraru @/TFI https://t.co/tOUjVEux8k
So happy to see Telugu audience bashing their own pan-indian obsessed actors and directors after #SCENE
Such audience deserve the best. They are being looted for every big star films in the name of price hikes, that too for the most dumb-ass films.
When someone commits a heinous crime, the first response should be empathy & an attempt to understand the larger problem. Not finding a convenient scapegoat in cinema.
It is becoming increasingly clear that your concern is not for the victims or their families, but that you're using a horrific tragedy as a dirty excuse to settle your personal scores.
This is especially directed at those failed frustrated jobless male/female actors, few directors, producers & parasites, who suddenly appoint themselves as social reformers whenever an opportunity arises to take a dig at someone else's work.
A tragedy deserves empathy 🙏, not opportunism. Learn the difference.
South Korea has produced some of the most violent, disturbing and morally complex films in cinema history. Oldboy, I Saw the Devil, Parasite, Memories of Murder. Yet it remains one of the safest countries in the world. Japan has the most violent anime and manga and has one of the lowest crime rates globally.
The data does not support the argument. Films do not create criminals. Broken systems do. Lack of education does. Bad parenting does. Blaming cinema is the easiest deflection from the real problems.
Someone who has built a career on 'analysing things' should know this before tweeting halfbaked takes to millions of followers.