Sonorous Cities: Towards a Sonic Urbanism. Sound, urbanism, & spatial practices. Based at @OxMusicFaculty. Funded by @EU_H2020 Research and Innovation Programme
It explored the possibilities of a vibrational architecture to reorient architectural imaginaries. Students created absolutely brilliant design responses which we will share on the SONCITIES website and future publications soon!
Thanks to Jan and Ela Domitrovic for these photos.
Photos from a recent workshop, Vibrational Architectures, hosted by @MSUZagreb as part of the exhibit #Vibraception by Jan St. Werner of @MoM_official. The workshop, for architecture and art students, featured talks by Jan, Brett Mommersteeg, Nikola Bojić, and Gascia Ouzounian...
It has been a pleasure and honour for us to collaborate with Jan St. Werner from @MoM_official on commissioning Vibraceptional Plate. This participatory artwork is currently on exhibit at @MSUZagreb, as part of Vibraception, curated by Ana Škegro.
See🔗 https://t.co/8IJW2dWtf5
We'll be taking part in the London Festival of Architecture 'walk-shop' at @ljworks_london this Saturday, 12-4 PM, with the Silent Room V.4 by Nathalie Harb and Gerard Gormley, and design responses to our workshop 'Sonic Refuge: Designing Sonic Architectures'. Link below! 1/2
An evolving page on Nathalie Harb's Silent Room V.04. We will update this page as the installation comes to life over the month of June at @ljworks_london.
Here are notes on design by Nathalie Harb and notes on sound by Gerard Gormley (@BeingStrangers). https://t.co/WYvJbXgUCB
This was absolutely riveting. Thank you @maanbarua and Mriganka Madhukaillya for introducing us to 'three surrounds' in relation to amphibious urbanisms.
Launching tomorrow at 3 PM at LJ Works in London:
Silent Room V.04 by Nathalie Harb in collaboration with Gerard Gormley.
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Commissioned by SONCITIES, Silent Room V.04 is a sonic architecture by #NathalieHarb, part of a series of urban typologies...
https://t.co/1721AmzciO
A soundtrack by Gerard Gormley transplants other sounds into the site, acting as a sonic crossroads. Silent Room V.04 is a call to attune to the city of the future as a dwelling-place centred around human well-being...
Join us for the London book launch of Urban Soundscapes on Thursday 13th June. Hosted by Periscope as part of Microscope's 2024 Echolocation series.
Tickets via Eventbrite link https://t.co/tcDCLFFYV8
Very excited and humbled to be part of this amazing line-up of #QuietUrgency symposium on June 5 at Central Saint Martins in London. Thank you #GasciaOuzounian@soncities and other organizers for the invitation.
Mriganka Madhukaillya, Nathalie Harb, Sarah Lappin, @el_ratcliffe, and Adriana Cobo Corey. Co-organised by Gascia Ouzounian, @public_culture_ and @dibanezlopez.
Please come along!
Wednesday 5 June
9.30-6 PM
Central Saint Martins (N1C)
Information and registration link above.
Our symposium on 5 June, Quiet Urgency: Disturbing Sonic Ecologies, will ask what it means to think about sound through an ecological framework, and about ecology through a sonic framework. Featuring talks by @jaceksmolicki, Ella Finer, Catherine Clover, @DeLittle_, Maan Barua 1/
Together with @csmSpatial we're co-hosting a symposium, workshops, and an installation on the theme 'Quiet Urgency: Disturbing Sonic Ecologies' in London, between 5-30 June 2024.
For information on these events and registration links, please visit https://t.co/mKwn8L8qEb
We're hugely looking forward to welcoming James Parker for his talk 'The Planetization of Machine Listening'.
Monday 27 November
5.15 PM-6.30 PM
St John's College, Oxford
Mark Bedingham Room.
The talk will be followed by a reception.
All are welcome. https://t.co/eqMUMdWEBj