If You Were Born in the 80s, This Might Feel Personal : How did we get here !!
Every day there is something new.
A controversy.A heated debate.A paper leak. An election result.A tragic incident. Thousands of opinions.Millions of reactions.
Sometimes it feels as if everyone is speaking, but very few are listening. And then my mind quietly travelled back to another India.
The India many of us born in the 80s grew up in. An India where Sunday meant waking up early for Jungle Book.Where the entire family adjusted the television antenna on the terrace so that Doordarshan would come clearly.
Where "network issue" meant the neighbour's kite had got stuck in the TV antenna. Where summer vacations were not planned on apps but happened naturally in the gullies.
Ludo on the floor. Carrom in the veranda. Gully cricket until somebody's window glass broke. Hide-and-seek behind trees that looked enormous to our little eyes.
Back then, we did not carry mobile phones. But somehow, everyone knew where everyone was. We had fewer ways to connect, yet relationships felt more connected.
We celebrated Diwali, Eid, Holi, Christmas, Baisakhi, Onam and countless local festivals not because social media reminded us, but because somebody would knock on the door with sweets.
Festivals were less about posts and more about people. Years passed. Cities grew. Technology evolved. Opportunities expanded.And that change brought many good things.
But somewhere between Doordarshan and digital screens, between handwritten letters and instant messages, between neighbourhood conversations and algorithm-driven feeds, something else changed too.
Our attention became shorter. Our patience became thinner. Our opinions became faster And sometimes, our understanding of each other became weaker.
The trees behind which we played hide-and-seek became concrete towers. The playgrounds became parking spaces.
The evening conversations became notifications. Perhaps this is the journey of every generation. Perhaps our parents felt the same when they looked at our world.
But I think many people born in the 80s will understand this feeling. It is not nostalgia. It is not resistance to change. It is simply a quiet reflection.
A reflection on how quickly a country, a society and a generation can transform within one lifetime.
And a hope that while we continue to progress, we do not lose the warmth of human connection, the joy of shared celebrations, the respect for different viewpoints and the sense of community that once came so naturally.
Because technology can make life faster. But only people can make life meaningful. If you were born in the 80s, you probably know exactly what I mean.
#80sKids #GrowingUpInIndia #IndianChildhood #Nostalgia #DoordarshanDays #GullyCricket #JungleBookGeneration #IndiaThenAndNow #LifeReflections #HumanConnections #SocialChange #DigitalAge #CommunityMatters #IndianCulture #FestivalsOfIndia #GenerationalPerspective #LinkedInIndia #MemoriesThatMatter
UPSC has released the Provisional Answer Key for Civil Services Prelims 2026.
GS PAPER - 2 (CSAT)
āØNow candidates can match their responses and estimate their probable score.
https://t.co/ZxrH8TJEsw
#UPSC#UPSCPrelims2026#UPSCAnswerKey#Prelims2026#UPSCPrelims #CivilServicesExam #UPSC2026 #UPSCGS1 #AnswerKey2026 #UPSCUpdates #IASExam #UPSCPreparation #UPSCNews #GS1 #UPSCCSE #IASPreparation #PrelimsAnswerKey #UPSCStudents #UPSCExam #CSE2026
UPSC has released the Provisional Answer Key for Civil Services Prelims 2026.
āØIn GS Paper 1 mein one question has also been dropped.
āØNow candidates can match their responses and estimate their probable score.
https://t.co/ZxrH8TJEsw
#UPSC#UPSCPrelims2026#UPSCAnswerKey #Prelims2026 #UPSCPrelims #CivilServicesExam #UPSC2026 #UPSCGS1 #AnswerKey2026 #UPSCUpdates #IASExam #UPSCPreparation #UPSCNews #GS1 #UPSCCSE #IASPreparation #PrelimsAnswerKey #UPSCStudents #UPSCExam #CSE2026
When a living being dies, it can be reborn into one of the four Gatis (destinies). Ā These four destinies are as follows :-
Manushya (Human) beings.
Dev (Heavenly) beings.
Tiryancha (Animal, birds, insects, vegetations) beings.
NƤraki (Hell or Infernal) beings.
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The Buddhist texts use the term KahÄpana (KÄrshÄpana) for a coin. They are familiar with its varieties called Nikkha (Niį¹£ka) and Suvarį¹a of gold, silver, bronze and copper pieces called KÄmsa, PÄda, MÄsaka, KÄkanika, KÄrshÄpana, etc. But their value varied with time and place.
One of the most remarkable features of the period is the introduction of a regular system of coinage in business transactions. Inspite of the fact that the age-old system of barter had not altogether passed away but gradually coins were introduced as media of exchange. Moreover, the gold and silver dust were also used.
Large number of coins in gold, silver, copper and in other metals have been found from different parts of India. They are the most important source so far as the economic history of India is concerned.
The period from sixth century B.C. to fourth century A.D. represents a crucial phase in Indian history. It is in this period that the impact of āsecond urbanisationā was felt in India. This period witnessed the rise of Buddhism and Jainism, formation of early states, emergence of an imperial system, development of caste and class distinctions, intensification of inland and overseas trade, emergence of numerous urban centres and expansion of agriculture with the effective use of iron technology and the adoption of Brahmi script.
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Bilaval or Bilawal is a raga and the basis for the eponymous thaat (musical mode) in Hindustani classical music. Raga Bilaval is named after Veraval, Gujarat.
The Bilaval is equivalent to the Carnatic raga melakarta, Sankarabharanam, as well as the Western Ionian mode (major scale), and contains the notes S R G M P D N Sā.
Bilaval is a morning raga that is intended to be sung with a feeling of deep devotion and repose and is often performed during the hot months
Dheera Shankarabharanam, commonly known as Sankarabharanam, is a rÄga in Carnatic music.
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Chenkuttuvan literally āthe Righteous Kuttuvanā, also known by the title Kadal Pirakottiya, was the most celebrated Chera ruler of early historic South India. He is also mentioned in Silappadikaram, the Tamil epic traditionally attributed to the Chera prince Ilango Adigal.
Uthiyan Cheralathan is the earliest known Chera Ruler of early historic South India (c. 1st ā 4th century CE), as attested by extant Tamil literary sources (the Sangam Literature).
Nedunjeliyan was an Early Pandyan King during the Sangam era. He is known for defeating a confederacy of Cholas and Cheras at Thalayamangalam, near Tiruvarur, conquering most of the Tamil region, and contributing to Pandyan astrology. His deeds have been described in detail in the Madurai text.
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Jhelum River : TheĀ SanskritĀ name for the river isĀ Vitasta, derived from an apocryphalĀ legend regarding the origin of the river in theĀ Nilamata Purana.
Chenab River was calledĀ AsikniĀ (Sanskrit:Ā ą¤ ą¤øą¤æą¤ą„नą„) in theĀ Rigveda. The name meant that it was seen to have dark-coloured waters.
According to ancient history traced to theĀ Vedas, the Ravi River was known asĀ IrawatiĀ (Sanskrit:Ā ą¤ą¤°ą¤¾ą¤µą¤¤ą„).The Ravi was known as Purushni or Irawati to Indians inĀ Vedic timesĀ
Beas River : Rig-vedaĀ calls the riverĀ VIPAS, which means unfettered,in laterĀ SanskritĀ texts it's been calledĀ VipÄÅÄ विपाशा.Ā
The identification of Yavyavati with the Zhob River stems from the linguistic and regional clues provided in the Rigvedic river hymns.
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Symbols of worship
Art historians had to acquire familiarity with hagiographies of the Buddha in order to understand Buddhist sculpture. According to hagiographies, the Buddha attained enlightenment while meditating under a tree. Many early sculptors did not show the Buddha in human form ā instead, they showed his presence through symbols.
The empty seat was meant to indicate the meditation of the Buddha, and the stupa was meant to represent the mahaparinibbana. Another frequently used symbol was the wheel.
This stood for the first sermon of the Buddha, delivered at Sarnath. As is obvious, such sculptures cannot be understood literally ā for instance, the tree does not stand for a tree simply.
This particular text has been taken from Themes in Indian History Part I, Chapter 4: Thinkers, Beliefs and Buildings, Section 9.2 ā Symbols of Worship.
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Moidams ā the Mound-Burial System of the Ahom Dynasty
Frang-Mai-DamĀ orĀ MoidamĀ for short (Ahom )meaning : Burial of the dead is a traditionalĀ tumulusĀ of theĀ Ahom religion.The royalĀ maidamsĀ ofĀ CharaideoĀ are listed asĀ UNESCO world heritage site.
Set in the foothills of the Patkai Ranges in eastern Assam, the property contains the royal necropolis of the Tai-Ahom.
For 600 years, the Tai-Ahom created moidams (burial mounds) accentuating the natural topography of hills, forests and water, thus forming a sacred geography. Banyan trees and the trees used for coffins and bark manuscripts were planted and water bodies created. Ninety moidams ā hollow vaults built of brick, stone or earth ā of different sizes are found within the site.
They contain the remains of kings and other royals together with grave goods such as food, horses and elephants and sometimes queens and servants. The Tai-Ahom rituals of āMe-Dam-Me-Phiā and āTarpanā are practiced at the Charaideo necropolis.
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Located in the Ecuadorian Andes, Tungurahua Volcano UNESCO Global Geopark displays a geological history spanning over 417 million years, shaped by volcanic eruptions, tectonic uplift, and glacial activity.
The landscape features deep canyons, crystal-clear rivers, icy waterfalls, and towering rock walls carved over millennia. At its heart rises the imposing Tungurahua Volcano still active and a key site for volcanological research. Beneath its surface, magma heats underground water, creating mineral-rich thermal springs that have long been treasured for their therapeutic properties.
The region also bears witness to a dramatic seismic past. Major earthquakes in 1797 and 1949 devastated towns such as Guano, Pelileo, and Patate, leaving a legacy of resilience that continues to shape the territory.
BaƱos de Agua Santa, located at the foot of the volcano, endured a series of eruptions between 1999 and 2016. Today, BaƱos thrives as a centre of innovation and diversified livelihoods, with a vibrant adventure tourism industry, agroecological farming and geotourism initiatives playing key roles in the local economy.
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