zombie stage further pushes alnst's critique of how idol culture turns humans into consumable products. audiences consume only the curated end result with complete disregard for the inhumane processes that produce it, all the while voraciously partaking in the spectacle itself
Mizi as an idol is objectified for the male gaze under the idol industry but in her relationship with Sua, she also suffers through objectification as Sua forces a framework of innocence onto her to exert power over Mizi