Taken from UK Producers Roundtable Report: 82% of BAFTA nominated/winning producers earned less than £15k a year during the past five years. Tells you everything re: lack of diversity. Who can afford to do that? Systemic change needed.
Re-watching 'The Silence Of The Lambs', I'm struck that basically every interaction Clarice has with a male colleague is some combination of leering, lecturing and intimidation. Demme's direction implies that by the time she encounters Lecter, he scarcely registers as an anomaly.
@Katiew552 Embrace the new. Your brain can only assess things using info from what has gone before. Therefore we always overthink/are disproportionately anxious about doing something new. (Also people will tell you that the best things that happened in life weren’t in the plans they made).
LOUDER FOR THE PEOPLE AT THE BACK. We stan @IssaRae and her effortlessly visceral magic realism. Often in film when the otherworldly feels convincing the real life stuff doesn't. In her work the reality is just as scary and we love it.
On last week's shoot I met a talented and very busy focus puller who explained very clearly to me why placements and apprenticeships replacing people with experience in camera crew is setting individuals up to fail and feeds directly into the rate of attrition. He's doing 1/?
Goal achieved. Huge thanks to the many talented, relentlessly committed and capable individuals who made this week such a wonderful experience and the resulting film so fantastic. We appreciate you and the onset culture we all created.
Also, I feel very proud that last night so many HODs/crew came up to us producers and said how unusual this shoot was because they felt like we really cared about them. All you can hope for really!! ❤️❤️
Jun. 12: The 2022 Tribeca Festival™ Storyteller Series: Cynthia Erivo: BACK TO BROADWAY with André De Shields – Backstage Pass with Lia Chang https://t.co/hRKsdr03HX
Jodie Foster will star in ‘True Detective’ season 4 from writer / director Issa López and executive producer Barry Jenkins.
The series is centered around two detectives who are looking to solve the case of six men that vanished without a trace in Alaska.
https://t.co/W8E7QiN5VV
Also, I feel very proud that last night so many HODs/crew came up to us producers and said how unusual this shoot was because they felt like we really cared about them. All you can hope for really!! ❤️❤️
This bears out what I heard from the showrunners at the brilliant @The_Writers_Lab & Ravenal Foundation In the Room: Women in TV event last night. Writing a great script is key - and so it should be. But making someone's day because they love what you've written is a great goal!
So I promised some cold hard truths to writers about submitting scripts to execs. Buckle up, this is gonna be bumpy. #scriptchat
The first thing to say is that they assume it’s going to be shit. Sad isn’t it? The fact is that most scripts are. Even the packaged* ones.
With my @squadwalkfilms hat on I’m looking at our screenplay about the witch trials with its narrative arc about a late miscarriage - because we understood the link between religious teaching, Hale & dehumanising women but we are stunned it’s now more hideously relevant than ever
Writing research in Scotland is next level. This weekend one of us is walking a seven mile haunted medieval coffin road leading from the shores of a loch, over the hills to a hidden church. Because atmospheric *writes itself* here.