#DidYouKnow that the Ardabil carpet is lit for ten minutes on the hour and half hour, in order to preserve its rich colours? 🤔
Follow our conservation team as they detail the delicate process of preserving the world's oldest dated carpet. https://t.co/gqdw6B8UAm
OPEN NOW:
Our long awaited Epic Iran exhibition 🎉
★★★★★
“explores five jaw-dropping millennia of cultural history”
@guardian
★★★★
a mind-expanding study of an extraordinary civilisation
@thetimes
Book now, (free for Members!): https://t.co/sA7wD8aJRE
Something epic to look forward to for next year. Tickets are now on sale for Epic Iran, our landmark exhibition opening 13 Feb: https://t.co/mAb35pe6AE
Epic Iran is organised by the V&A with @Iran_Heritage & The Sarikhani Collection. 🎶 Trailer music by Amir Eslami @CityUniMusic
In 1892, a housemaid in the Royal Household accidentally broke one of a pair of Chinese vases which smashed into 34 pieces. Find out how 100 years later the original conservation effort was improved upon & have a go with our jigsaw activity https://t.co/j9FZMqweRf
Le 24 novembre 1944, est créée la Commission de récupération artistique (CRA) dont Rose Valland devient secrétaire. Cette femme courageuse consignera dès 1941, dans les moindres détails, le pillage des œuvres d'art par les nazis. https://t.co/LRrEv0Ffpe
Chila Kumari Singh Burman's wintry work has transformed Tate Britain with neon light & swirling colour, in time for #Diwali2020! ✨🦚👁️🍦🎉 A celebration of new beginnings, 'remembering a brave new world' offers us hope for a brighter future. https://t.co/N6y2Ch62Ri 💜
Face au manque de main-d’œuvre, le Canada souhaite accueillir plus de 400 000 immigrants par an d’ici à 2023. Justin Trudeau s’est dit convaincu que l’immigration permettrait au Canada de « maintenir sa compétitivité » sur la scène internationale. https://t.co/DoZqZCp5DY
Etre fonctionnaire, un métier qui n’attire plus la jeunesse : le nombre de candidats a chuté de 650 000 en 1997 à 228 000 en 2018. Une crise des vocations qui s’explique en partie par le niveau de salaire. https://t.co/wRmnTMB8qK
The Qajar series by Shadi Ghadirian is modelled after studio portraits made in Iran during the Qajar period. Like their predecessors, these formal studio portraits contain props that represent the aspirations of the sitters, but the objects they pose with are jarringly modern.