Anche 90% degli ambienti e personaggi del Vangelo sono attestati storicamente, ciò non toglie che per i non credenti rimanga una bella storia di fantasia e che Cristo, uomo palestinese, sia stato per 2000 anni un morone con gli occhi azzurri
@ciaosononuovoqu@littlesmolouis Non hai capito un beneamato cazzo.
Troia è esistita realmente, i greci hanno fatto guerra con troia. Il motivo forse non era una bellissima donna, forse qualcos'altro, ma rimane un fondo di verità storica.
La cosa più sconvolgente non è che Elena di Troia sia interpretata da Lupita Nyong'o, ma che Lupita Nyong'o non abbia mai sentito parlare dell’Odissea prima di interpretare Elena di Troia.
Also, seriously… don’t you have anything better to do than argue about Helen of Troy’s skin color? A character with about as much historical credibility as Daisy Duck.
The day we realize cinema thrives on original storytelling, and that adaptations are ultimately a director’s interpretation, it’ll probably be too late. Nolan took #TheOdyssey and made his own vision of it. It’s a story, a myth, not a historically verified account. Relax.
Christopher Nolan says pre-release backclash about his casting choices in ‘THE ODYSSEY’ is "irrelevant"
"Remember, I spent 10 years of my life dealing with Batman."
(https://t.co/77uZS7HDA3)
Christopher Nolan on AI:
“I’ve never seen a more rapid wholesale dismissal of a supposedly foundational jump in technology in my lifetime. So much energy has been expended on bringing in AI, but if you look at that generation’s reaction, they’re utterly rejecting it. [My children’s] judgment of AI slop has been immediate and harsh. They see it for what it is very quickly – and it’s much easier for them to identify it, because it grew out of an online world they know really well. And while that doesn’t mean that every aspect of the technology is useless or meaningless, in film-making it’s hitting at exactly the wrong time. After years of driving towards heavily virtual environments, we’re seeing a renewed interest in more tactile, more real forms of storytelling.”
🔗 https://t.co/vyUx6mHzaH
First look at Sam Raimi’s horror thriller ‘SEND HELP’ starring Rachel McAdams and Dylan O'Brien has been released.
In theatres January 30, 2026.
(https://t.co/Q8ojGk5QP9)
Più cresci più sembra che il tempo fugga.
Quando ero adolescente il lasso temporale trascorso tra i miei 10 e 15 anni mi pareva infinito; oggi invece, che ne ho 35, mi sembra che gli ultimi 5 siano volati.
Pandemia? E chi lo sa.
Una sola certezza: il tempo mi sta scivolando.