Exclusive: Donald Trump will be allowed to lift the World Cup trophy with the winning team, as he did at the Club World Cup.
Trump will present the 2026 champions with the trophy on July 19 at MetLife Stadium alongside FIFA President Gianni Infantino.🏆
https://t.co/qxodFY9Sqg
IT’S PREMIER LEAGUE FINALS NIGHT! 🤩🎯
We’re back yet again with the legends at @DoubleTopDart for a giveaway! Whoever wins the 2026 Premier League tonight, a set of their darts will be given away!
To enter:
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Good luck!🤞🏼🎯
🏆 GIVEAWAY TIME! 🏆
To celebrate @lukewoody180 winning his first-ever PDC title at Players Championship 18, we’re giving you the chance to win the ultimate 'Woody' bundle! 🪵🏠
One lucky winner will grab a signed player shirt and the exact setup Woody used to clinch the title! 👇
HOW TO ENTER:
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⏳ Entries close Tuesday 26th May at 3:00 PM. (UK only, 18+)
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A six-minute VAR delay with 25 replays to decide which of the multiple set-piece wrestling manoeuvres was clearly and obviously worthy of punishment. A fittingly decisive moment for the 2025-26 Premier League season.
So a club can sell its hotel to itself, sell its women’s team to itself, but West Brom are punished, they believe, for legitimate “in-kind” donations to the Albion Foundation, its charity partner that saves lives. Albion also believe the alleged PSR breach is “less than £2m”
This is the shot you can’t get from the press site. This camera was sitting a few football fields from the SLS rocket at Pad 39B for days before launch, baking in the Florida sun, surviving rain, humidity, and whatever else the Cape threw at it. No photographer behind the viewfinder. Just a camera, a sound trigger, and a bet.
The way pad remotes work: you set your camera up days in advance, dial in your composition, lock everything down, and walk away. You don’t touch it again until after the launch. The shutter fires on sound activation
with a @MiopsTrigger smart+ trigger. With SLS, the four RS-25 engines ignite six seconds before the solid rocket boosters, so the camera is already firing before the vehicle even leaves the pad. You get home, pull the card, and find out if you nailed it or if a bird landed on your lens two days ago and left your a present and you got 400 photos of soemthing crappy.
There’s no formula for protecting your gear this close. Some photographers build wooden boxes with doors that pop open. Some use plastic bags and tape. Some do plastic or metal barn door rigs on hinges. I tend to leave mine open just in plastic rain covers because boxes limit my composition and setup time, but that means your cameras are more exposed to the elements and whatever energy and debris comes off the pad. You’re basically gambling a camera body every time you set one.
That’s what I love about this genre. There’s no playbook. You make it up as you go. Every time is an adventure.
📸 credit: me for @SuperclusterHQ - Artemis II pad remote | ~1,000 ft from Pad 39B | Kennedy Space Center
Post-Brazil #MotoGP statement from Race Direction. To reiterate, the heroes of the weekend were the workers who fixed the hole in time for the sprint. The hole was caused by "an undocumented sewage system". Why didn't the pre-works geotechnical report show that up? Basic stuff. "Significant heat" caused Sunday's degradation? Really? 30 degrees in Brazil isn't unusual. Both problems suggest the circuit works weren't good enough. Why wasn't someone on site to make sure the works were 100% perfect? Or if they were, why was low-quality work signed off? I know it's not an easy job, but MotoGP makes millions off every race, the least it could do is spend a few 100k extra to do the job properly
I’m playing a darts comp today. If I average over 60 in any of my games I’ll give away a set of darts from my ever growing collection
To be in with a chance of winning:
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Link below if you want to keep an eye on me😂
https://t.co/dxlBgsdNFu