Sound๐on: epic fly-by footage of the ongoing Zenith engine testing and Stage 1 structural qualifications happening at our test site in Moses Lake. ๐ค๐
UPDATE: Debris from the 28 May 2026 anomaly could wash ashore along publicly accessible areas over the coming days or weeks, report debris to 911. Launch vehicle debris is potentially hazardous, direct contact poses a risk to personal health and welfare.
https://t.co/LAvUsRdK4H
Getting frosty in Moses Lake. ๐ฅถ
A thin layer of frost forms around our Stage 1 structure as it fills with cryogenic liquid oxygen and liquid nitrogen.
These tests let us demonstrate structural and fluid design margins, an important aspect of the proto-qualification process. ๐ฆ๐ก๐
Sometimes photography is about preserving exactly what happened. And sometimes itโs about creating something that shows what it felt like.
When Iโm working as a photojournalist, the line is very clear. The image has to stay true to the moment. Iโll make the same kinds of basic adjustments weโve always made in photography: exposure, contrast, color, brightness, maybe a little cleanup in tone. But Iโm not removing elements, adding elements, compositing skies, or turning the scene into something it wasnโt. The job is storytelling, and the photograph has to remain anchored to the truth of that moment.
But photography as art is a different space.
This piece came from images I captured with a remote camera during the Artemis II mission, in that quiet twilight window before liftoff. The rocket was still on the pad, the horizon was starting to glow, and there was this beautiful stillness before all the sound, fire, and chaos that would come later.
The final image you see here is not photojournalism. This exact moment did not exist in a single frame. I combined elements from that twilight sequence, accentuated the glow on the horizon, and brought in star texture I captured earlier to create something that felt closer to the memory and emotion of being there.
Thatโs the teaching point for me: sometimes we use photography to tell the story exactly as it happened, and sometimes we use photography to make art from what we experienced.
I love both sides of it. Photojournalism keeps me honest. Photography lets me create.
I know... I know... โโโ Pick me, pick me! It's an oldie but a goodie... Way back in the early Falcon Heavy days, the first FH night launch to be exact, and those who know me know night launches are my jam, right @SuperclusterHQ ๐๐ Still hard to believe it was taken with a (now) 15-year-old @CanonUSA 1DX!
I love working with Stoke on their visuals, so glad this company has always valued capturing high quality real world examples of their tests, instead of cheap computer renders or crappy engineering camera. Plus, they let the real hardware do the talking! Canโt wait to keep telling the story to and through launch!!! And back to launch again, and again. ๐โค๏ธ
The coolest "silo" in Eastern WA... is a Stage 1 rocket structure.๐ค
Enjoy this footage of all the testing happening in Moses Lake, from structural qualification to engine hot fires.
Testing is LIVE in Moses Lake, for both our Stage 1 structure and Zenith engines. Proud of the teams who are working relentlessly to drive us forward on the road to launch.๐ฃ๏ธ๐
I took 1.7 million photos over 6 days to catch this photo of a commercial jet in front of the sun.
The moment it happened, TWO floating prominences were visible, making this not just my best aircraft transit photo, but one of the luckiest of my career! Videos of the transit ๐