A Tlalim crew member takes in the view as they travel to High Camp. After finally doing a ton of heavy lifting with modeling & texturing the Windtraders Gondola, I spent some time doing paint overs of renders detailing the ties that hold the ship together & the decorations the
“Sullies never quit.” The kids try frantically to evade Varang & her scouts as they do their best to hide after their gondola is downed in a savage aerial firefight. I envisioned this as a quiet moment in the cool predawn air filled with the tension of the kids’ possible
These are the last two images that I’d like to share of alternate designs for Varang’s yurt. I was really liking these for a while for their simplicity & presence, the second version of which was deemed to have gone too far into Flintstone’s territory, haha. I did like that
The basis for the look of the Mangkwan Village in Avatar Fire And Ash was laid out by the incredible wide shots & keyframes by @dylancoleart & @messingart. I did a little work helping to figure out the village layout later on after some rounds of Individual yurt designs. At a
[🩵 + RT appreciated]
My first CWT73!!! Here is my catalog!
I won't be there in person, but my art will be at
📍Booth: F11-14
📍Booth name:貍攤不售後 ✨
If you're going, please check out my booth and snap a pic for me! 🥺🩵 thank you so much!!!
#hsr#genshin
The Ash Village architecture was interesting to create because like all other Na’vi architecture they are built in harmony with their environment. In contrast to other Na’vi villages, the Mangkwan live amidst the destruction of their formerly lush rainforest in a
In developing the Ash Village, we did a lot of research into a palette of materials & motifs that would differentiate them from the other Na’vi cultures we had seen so far. The Mangkwan are a fallen people whose home tree & land were destroyed by an enormous volcano. They’ve
This group of illustrations show different views of the final version of the Windtraders gondola main decks along with a closer up sketch. They focused on rigging, ties, weaves & the negative graphics of the sunbaked floor surfaces & weathered netting. You can also catch some of
This was one of the first images I did of the deck of the Windtraders Gondola. It was done just as we began rough digital modeling in @gravitysketch & the incredible level of complexity for this set was coming into focus. From the challenge of figuring out how sculptural the