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I really love how this one came out. it was going to be a one shot like they all are but there was no way to run into the dark tunnel from the brightest sun and keep the image useible. but, it allowed me to do the first half in low mode and the second half in standard mode
I really love how this one came out. it was going to be a one shot like they all are but there was no way to run into the dark tunnel from the brightest sun and keep the image useible. but, it allowed me to do the first half in low mode and the second half in standard mode
I decided to try shooting something without a story and without a plan on how to shoot it. It was less of a technical shot with lots of switches and don juan, and more of a communication exercise with someone who specializes in something you know nothing about.
Got to break out the live kit for a few days. this job was not wireless, so there are a few more challenges to adapt to. I have a fiber jumper (which was much more flexible than the one the show provides) so it puts a lot less influence on the rig, still more than I would want.
I was looking for an excuse to try out my new low mode bracket and make something fun in the meantime. we did this with a 35mm lens on a micro 4/3 camera (70mm equivalent) witch really gave the look I wanted but made it much harder to get rid of small shakes and stay in focus.
I was looking for an excuse to try out my new low mode bracket and make something fun in the meantime. we did this with a 35mm lens on a micro 4/3 camera (70mm equivalent) witch really gave the look I wanted but made it much harder to get rid of small shakes and stay in focus.
Beautiful Arri alexa mini LF and some Cooke S7/i glass. During a break the sprinklers went off around all the gear. I ended up grabbing this whole rig off the dock and running with it as the ac and a few other people scrambled to get everything to a dry spot. nothing damaged.
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