Feast your eyes on Issue 9 with poems from Amy Crutchfield, @gavin_ygao, Kate Middleton, @jo_langdon_, @RozannaLilley, William Doreski, @emperorofsorbet, @damen_o, Glenn McPherson, @emiliecollyer, Francis Thompson, and @daninetherclift
https://t.co/qTnjf1tG1v
So-called Australian writers under 25, submit your writing to @VoiceworksMag #128. 'Grain'!
We're especially looking for writers from or living in SA to submit to this issue for 'secret reasons' 👀 More info here: https://t.co/yoRmnpHuwD
We are very excited to announce the Best of Australian Poems 2022 is now open for submissions. Guest edited by Jeanine Leane and Judith Beveridge, this is the second installment of BoAP: https://t.co/UE9vimmXC8
if you're under 25 and interested in a career in publishing, the @VoiceworksMag editorial committee is the single best thing you can apply for https://t.co/UK3PpPpmAZ
@GriffithReview 78 explores food as spectacle and status symbol, as fad and fantasy, as capital and cultural currency.
Submit your essays, reportage and fiction that respond to the theme in creative and compelling ways https://t.co/Cdz1TFlxZf
the secret's out — we're collaborating with @corditepoetry for a LIMINAL edition — edited by Bella Li — submit your best poem here — ! https://t.co/sb7rNEtLT0
lil reminder that my workshop for @writerssainc 'decoding digital storytelling' is on this sunday! keen to chat about my interactive poetry work among many other examples~~ tix here: https://t.co/2bZwTK9HJC
.@MelbWritersFest is looking for a First Nations Programmer to work alongside @michaelamcguire, @gene__smith and me – feel free to DM me if you have any questions
Want to join the KYD team? We're hiring a part time (0.6) Marketing & Programming manager from late Feb 2022. Find out more: https://t.co/AcOr6E4EQ5
'A poet is born to fail, after all, so it’s quite fitting...'
'a fragile, rickety, laughable thing — like I’ve just put a few sticks together and called it a house'
Writers Ouyang Yu and Jen Craig juxtaposed for our 2nd issue.
https://t.co/4RChdZnFrX
Lately I've been thinking/writing/living through the concept of aftermath. This, just out from behind @GriffithReview paywall, is part of what's becoming a vulnerable, determined little body of work.
ABR is pleased to announce that the 2022 Calibre Essay Prize, worth $7,500, is now open for submissions. We seek essays between 2,000 and 5,000 words of any kind on any subject. Open worldwide to all essayists writing in English. Closing 17 Jan 2022. ✍️
https://t.co/TprigTXi0R
"the more I say I write poetry, the less I express it, and so / into a container of salted water, I saturate my pages for tomorrow’s absence" autumn royal for @runningdog_art 💖 https://t.co/trFGCf6XzM