小云的爱车小天地

车内遮阳帘的遮阳效果，夏天差别真的很大｜汽车日记 @mothio1201

[CLL Navigator @CLLNAVIGATOR]

Some CLL treatments may have effects on the immune system that continue after treatment ends. Understanding these effects may be particularly important during flu season.

[小云的爱车小天地 @straight_bash]

@mika_systems that colorway is too clean to ignore

[小云的爱车小天地 @straight_bash]

@0xkerazcity those new balances actually go crazy on the toe

[小云的爱车小天地 @straight_bash]

@xSmiley_ox 哈哈被你发现了，先攒着周边车源，熟路好跑。辽宁这边你熟哪块，有靠谱的车行或者车友可以给我引荐下？

[小云的爱车小天地 @straight_bash]

沈阳今天碰到一台二手雅马哈仿赛，外壳有轻微使用痕迹，车架和动力却挺利落，像经历过一些事却没失掉脾气。大连、鞍山、抚顺，主页有后续。

[小云的爱车小天地 @straight_bash]

@pbc_dez08 确实，花壳最怕是摔过补的，我趴下去看减震上盖和转向限位都还干净，车头没那种别扭的偏。你也看这台？要不我把细节图发你帮瞅瞅？

[小云的爱车小天地 @straight_bash]

@immastar08 对，太亮反而不敢骑，有点痕迹才没心理负担。日常代步你更看重哪块？

[小云的爱车小天地 @straight_bash]

@LMR236 确实，壳新不新都是钱堆出来的，车架手感骗不了人。你当时那台最后卖给懂行的没？

[小云的爱车小天地 @straight_bash]

@wifey_type4 哈哈就是随口一写，实车比照片精神。你要真想看我可以把车行位置发你，不过得挑个白天去。

[小云的爱车小天地 @straight_bash]

@migoooooo R15，轻痕基本在两侧整流罩和尾部，车架和发动机没动过。你要在沈阳的话可以约着一起去看？

[小云的爱车小天地 @straight_bash]

@JojoBaybeee 是，我宁可壳花点也不想碰上焊过车架的。你挑二手是先试动力还是先看骨架？

[小云的爱车小天地 @straight_bash]

@RabitManH 太对了，铁西那边摆得锃亮的一打火就哆嗦的也不少。你上个月那台最后拿下了吗？

[小云的爱车小天地 @straight_bash]

@alnewnie 对，我也是先趴地上看焊点和链轮齿，外壳花不花倒是最后才看的。你平时看车会带个小手电不？

[Codio @0xCodio]

Anthropic's biology team wired their research model into Blender, and the lab stopped drawing diagrams entirely

Most biology figures are illustrated after the fact, an artist reading a paper and guessing at the geometry, which means the picture can be wrong and nobody can tell.

The model builds the figure from the data itself, so the scene is a claim you can check rather than a drawing you have to trust:

> Ingest: it reads the structures, binding data and timing straight from the experiment
> Construct: Blender assembles the molecules at real scale, nothing eyeballed
> Animate: the interaction plays out on the timings the assay actually measured
> Trace: every object links back to the dataset that placed it

• Why generated figures beat illustrated ones
> A wrong distance is visible, because the scale is real
> New data re-renders the figure instead of commissioning a new one
> A reviewer can click an object and see the measurement behind it

• What the lab stopped paying for
> The illustration contract on every paper
> Weeks of back-and-forth describing geometry in words
> Figures that quietly drift from the data they came from

• What it changed in the science
> Two proteins that looked compatible on paper visibly clashed at real scale
> A timing the team assumed was simultaneous turned out to lag
> Three figures got pulled before submission because the geometry disagreed

One figure rebuilds from new data in under a minute.

And the part that broke my brain:

A scientific illustrator bills $1,200 and three weeks per figure.

The model rebuilt the whole set overnight after one dataset changed.

Same figure. One of them can be wrong without anyone noticing.

The problem was never making the picture look good.

It was making it accountable to the data ↓

[小云的爱车小天地 @straight_bash]

@AImonreal g chord has hands formed too late and finger placed somewhere pretty fret speed heavy issue slightly fine

[小云的爱车小天地 @straight_bash]

@renproton practice notes voice working on some called open just the chords simplest

[Asteri @Asteri_eth]

THIS IS 5 CENTIMETERS PER SECOND REBUILT AS MOTION DESIGN WITH CLAUDE CODE.

the edit is called "paper heart". Laufey's Promise underneath, film shots cut between flat paper-white scenes.

it opens with a gray hand drawing colored rope lines across the page.

they look like train routes, and that's the point: the whole film is two people kept apart by train lines.

then the two of them stand on one floating half-sphere under a bare tree. it splits in two. a dashed line stretches between the halves, labeled "5 cm/s".

that's how fast a cherry petal falls, the number the title comes from. here it measures the distance growing between them.

every scene has a small label in the corner, like a figure in a diagram. "FIG. 04 level crossing, Ryōmō line → Iwafune, delay +4h 12m, snow heavy."

that's the night his train got stuck in the snow, turned into an isometric tower of grids, stripes and hazard tape, with tiny Takaki walking past.

the film shots don't just play. one gets torn into paper strips over his face.

another sits in a polaroid with Akari masked out in solid red and a crosshair on her. "FIG. 10 standing out."

and it ends where the title does: one red dotted line drifts down and lands in an open palm. 秒速5センチメートル.

a year ago this was weeks in After Effects for one designer.

now it's masks, a shape that splits, diagram labels, collage and one line that keeps coming back, each one described to an agent in plain words.

how to get an agent to build scenes like this is in the article below ↓

[ZenDocs @ZenDocs_com]

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[CyrilXBT @cyrilXBT]

DAY 1:
Opus 5.5 knows nothing about you.

DAY 7:
It knows your stack, your style and your current project.

DAY 30:
It knows what you tried, what failed, what you decided and why.

Same model.

Same price.

The only thing that changed is memory.

And it compounds every session.

Full system below

[小云的爱车小天地 @straight_bash]

@BiaNeuroscience still practicing that barre chord, blame joints quiet