🇵🇸🇮🇱 A man in Gaza shows the situation on the ground after Israel bombed 3 buildings which civilians were using as shelter.
“No words, except they are doing genocide.”
JUST IN: Israel confirms an IDF attack caused the massive blast at Gaza's largest refugee camp that has reportedly left many people dead and injured https://t.co/BaxwPbrmkX
Josie (6 years old), Bertha (6 years old) and Sophie (10 years old) worked regularly at the Maggioni Canning Company.
Work began at 4 AM, and the three would make from $9 to $15 a week.
Sophie would do six pots of oyster a day, and her mother, who also worked with her, said, "She don't go to school. Works all the time."
Through such photos, Lewis Hine documented the harsh working conditions borne by thousands of children, who were sent to work soon after they could walk and were paid based on how many buckets of oysters they shucked daily.
Mr Hines wrote of one photograph: ‘All but the very smallest babies work. Begin work at 3:30am and expected to work until 5pm.’ He covered around 50,000 miles a year, photographing children from Chicago to Florida working in coal mines and factories.
These photos helped to raise an outcry against child labor and made the American public widely aware of the scope of the problem.
There you’ll stand ten feet tall, I will say ‘I knew it all along’ 🥲 This song has always made me think of my friend Jack. It was the first song we made together and watching him challenge himself and make beautiful art over the years has been the thrill of a lifetime. How can he be 6 years older than me and also somehow still be my precocious young son? We may never know. “Sweeter Than Fiction (My Version)” is now available exclusively at Target on Tangerine vinyl 🍊🩵
Gaza tonight.
When the skies are lit with terror. Never forget the “civilized nations” that claim to be “peacemakers” governed by “international law” that manufactured this genocide.
Shame.
Watching @kendricklamar create and record his verses on the Bad Blood remix was one of the most inspiring experiences of my life. I still look back on this collaboration with so much pride and gratitude, for the ways Kendrick elevated the song and the way he treats everyone around him. Every time the crowds on The Eras Tour would chant his line ‘you forgive, you forget, but you never let it… go!’, I smiled. The reality that Kendrick would go back in and re-record Bad Blood so that I could reclaim and own this work I’m so proud of is surreal and bewildering to me. I’m overjoyed to say that the Bad Blood Remix (featuring Kendrick Lamar) is available everywhere on the 1989 Deluxe Edition. 🫶🩵
https://t.co/12bONe97U2