💥NEW TEXT 💥
What are the challenges and shortfalls of online exhibiting? How much of the expectation around the white cube experience can undermine the creation of a truly new online existence for artworks?
🔗 https://t.co/hMjXcAcfez
#visualart#artcriticism#onlineexhibit
✨A NEW WRITER HAS APPEARED✨
@Brunnosilva
Originally from São Paulo, Brunno moved to Berlin in 2013 where he accessed the art scene from an international perspective following a cross-cultural approach that is present in most of his projects🌍
🔗 https://t.co/GtelneyPDd
From soul-killing comparison to feelings of inadequacy, the downsides of Instagram clash with numerous career benefits & opportunities for community building it also offers. Marco unpacks the realities of being an artist on Instagram today.
🔗https://t.co/TPP3a7LZJ8
Christian considers the deaths of Egyptian actress Ragaa el-Gedawy, Italian curator/critic Germano Celant, Russian art historian Irina Antonova, American artist/art historian David Driskell and Chilean art critic/teacher Guillermo Machuca. #covid19
🔗 https://t.co/GHYNmqtByf
Christian has worked as a gallerist, art fair director, art critic and curator since 1994. He co-founded @TheBrooklynRail in 1999; between 2008 and 2016 he wrote art criticism for the @villagevoice and now writes regularly for @TheArtNewspaper.
🔗 https://t.co/f7YbXhHDIo
Eria visited the digital garden of WADS - part of Ars Electronica's Kepler's Gardens featuring 21 Cypriot-based artists. She examines the exhibition as a prototype for new sensory experiments and discusses ways to improve Cypriot cultural policy.
🔗 https://t.co/PVXqI9ADKp
Eria Dapola is a curator, theorist and writer based in Cyprus and Greece. She is responsible for Scale Appropriate Digital, a digital editorial platform and curatorial initiative responsible for insta-residencies and visual essays.
Read more at: https://t.co/PDjBSpZyz9
Any truly “valuable” revolution - in the arts, in our communities, on our planet - will come from the strength of our relationships and the level of care we have for each other
A visit to Eduardo Navarro’s Gasworks exhibition raises Claudia’s ✨awareness✨ of the unsustainable pace regulating art workers, the responsibility of institutions and COVID-19’s unforeseen ally-ship.
🔗 https://t.co/5dsQh2uUC1
@GasworksLondon#gasworkslondon#claudiacontu
“...so let’s just keep imagining, do snails go to art fairs? I do hope they do one day. Certainly they would have a very different understanding of what buying art is.”
Read a review of Eduardo Navarro's Breathspace by Claudia Contu for @supah_effective https://t.co/SpWD23VXm8
✨A NEW WRITER HAS APPEARED✨
Claudia is an independent curator and writer. She creates autofiction that responds to virtual intimacy and violence found in her digital movements across time zones.
Head on over to: https://t.co/slGrhQmTUW to read more!
#claudiacontu
How does our physicality affect our experience of art? Natasia examines the crossovers between art, technology, & the body at the Goldsmiths MFA degree show, and uncovers some surprises!
@NatasiaPatel
🔗 https://t.co/UiIroIIPEi
#goldsmithsMFA#goldsmiths#visualart#Review
José visits the Goldsmiths MFA Degree Show, one of the only degree shows this year to take place in real life due to the pandemic. As a 2020 RCA student unable to have a physical degree show, he unpacks the need & importance of physical exhibitions.
🔗 https://t.co/uae0UtSwDx
💥A NEW WRITER HAS APPEARED💥
José is a Venezuelan-Spanish artist based in London with a practice observing the collision of identity, place and labour informed by the socio-political context!
Head on over to: https://t.co/GhVaX6KO2E to read more!
Sonja @sonjateszler explores capitalism’s defiance to death and its relation to artistic production. She redefines the current system of values driving artistic production and looks to Alice Morey’s work as a paradigm for an alternative framework.
Link: https://t.co/nISgzkcZ14
💥A NEW WRITER HAS APPEARED💥
@sonjateszler
Writer, singer-songwriter and curator based between Budapest and London with a practice focusing particularly on platforming artists from the Eastern European diaspora.
Head on over to: https://t.co/ZzKyssPGUe to read more!
A deep dive into the botanical mind: @supah_effective explore patterns in nature, indigenous sovereignty, and the role of arts institutions in conversations about climate change: https://t.co/rBTxnYKWWl #botanicalmind