one more before 2026: sproot blends vol. 1 out now on bandcamp! including flips of Anysia Kym, Earl Sweatshirt, El Cousteau, Lord Apex, MAVI, Mick Jenkins, Navy Blue, Ovrkast., and SALIMATA.
https://t.co/kwSVXqx4ZQ ✅
My 5th studio album “GOD GOTTA AFRO & GOLD HOOPS” features Malice, George Clinton, Mr Porter, Amanda Reifer, JOJO Abot, Nomisupasta, Amber Navran and the Karaba Ya Morena Choir
https://t.co/oNkAjKVa4r
why does no one care about the fact that we're projected to run out of clean drinking water by 2039 because of how much water ai data centers use please stop using chatgpt y'all, i beg. you do not need a shitty looking cartoon of yourself, i promise. the planet is dying.
I firmly believe we are headed back into an independent research led, underground, in person, hand to hand & word of mouth world of artist discovery and fan interaction
wrote about the mind-melting Another Planet (@phiik_ x @big_dead_lung) and @steeltippeddove album People Are Not Your Friends for Bandcamp Daily https://t.co/IHC3csZ1BU
On her new album ‘new avatar,’ Kelela traces a line from her own refusal to compartmentalize to what she wants for her Black queer fans.
"The very essence of being queer is not existing within a binary," she shares in her new interview with Naomi Clément. That resistance to categories, she says, shaped how she built this album — one that folds guitar, rock, and hardcore influences into a sound rooted in R&B and Black musical tradition.
She's speaking specifically to Black listeners who grew up loving genres coded as white or "other" (rock, metal, hardcore, etc.) and who learned to split themselves accordingly, showing up as "one of the only four Black people at the hardcore show." ‘new avatar,’ she says, is "a love letter" to those listeners. It’s an attempt to let them hold every part of what they love at once, without doing the work of separating it out.
@kelelam's new 12-track project is out now, with features from @pinkpantheress2, @FousheeLive, and A.K. Paul.
Today, I decided to challenge myself and see how quickly I could assemble an album that I could deem passable."One Million Song" is an exercise that reminded me why I started making albums in the first place: it's fun as hell! https://t.co/aT3V5Jgq2F