an 🌧️

😻 cosplay, etc 📸: Royal Wonderland

[an 🌧️ @tanyeoni]

cos/TWST

“Don't worry, this won't hurt for long. It will be over soon. Your blood will run cold, and you'll never wake up again.”

- Vil Schoenheit

OB👑: @miss_beIIatrix
👗: ZERO Cosplay
💇‍♀️: Peruxia
📸: Royal Wonderland
📍: District 1 Cosplay Studio - Makati

[𝓶𝓲𝓵𝓴🍼Booth通販中 @mootut]

改めまして、先日の大阪インテに来てくださった皆さま、ありがとうございました！

原稿期間中に体調を崩していましたが、しっかり休んで元気になりました✨

最近描いた一年生 🏹👑イラストを置いておきます💞

[Nova! @Inked_Nova_]

rookvil

[べる @stsk185]

Dr.STONE cos

TO AMERICA

P1 / P4:@1kirisaki
P2/ P3:@U810K
#五知将だョ全員集合

[an 🌧️ @tanyeoni]

@illuvista REN DAYYY

[ディズニー ツイステッドワンダーランド展｜Seasonal Memories 【公式】 @twst_ten]

＼#ツイステ展 オリジナル商品／
『ディズニー ツイステッドワンダーランド展｜Seasonal Memories』（大阪会場）から登場する新商品はぬいぐるみ✨
詳細はツイステ展公式HPをご確認ください✅
グッズ | ディズニー ツイステッドワンダーランド展│Seasonal Memories
また、本日からチケット先行抽選申込を開始いたします！
先行抽選申込はこちら👉 https://t.co/UgKesUJYlj
皆様のご来場をお待ちしております
#ツイステ　#ディズニー　

※画像はイメージです。

[an 🌧️ @tanyeoni]

i miss rookvil ugh

[☘︎ @Morya001]

🏹👑
#twstファンアート

[松本サイコ @m_psycho666]

【Dr.STONE コスプレ】

XENO's Science Kingdom
Commander in Chief

スタンリー・スナイダー：松本サイコ
photo：洸汰

[Boichi @Boichi_Bo1]

In 2016, I received an email from an aspiring manga artist in Morocco.

It began like this:
“I want to become a mangaka, but there is no manga publishing industry in Morocco.”

Many people around the world love manga and read it, but when you look globally, there are many countries where manga is simply not published at all.
In some places, there is not even a publishing system(including publishing, translation, and distribution) in place.

Even where books exist, the infrastructure for printing, distribution, and bookstores is often lacking, making it very difficult for a true industry to develop.

Telling manga fans in those countries, “Your country has a relatively high GDP per capita, so you should buy manga,” is meaningless if there is no actual way for them to buy it.

That is something I find deeply painful.
Why is it that the manga industry has not been able to properly serve those regions?

Even in countries where publishing exists, manga books are often too expensive.
The price of a single tankōbon book is $ 15 to $ 20, which is high even in the United States, especially when today’s digital entertainment offers so many alternatives at much lower prices.

So, this is why I believe the future of manga is clearly not limited to print publishing, but must include digital services—manga that can be enjoyed in a reasonably accessible and affordable way.
If such systems are established globally, I believe the manga industry could grow dramatically.
In North America alone, a tenfold expansion would not be unrealistic.
Even countries without any publishing tradition could develop sustainable manga industries.

Once official digital services exist in each country, they can generate tax revenue, and governments can more seriously address piracy.
At that point, creators and aspiring manga artists can also demand proper enforcement and protection.
Most importantly, it would create opportunities for local aspiring manga artists.
And those opportunities would, in turn, strengthen the global industry as a whole.

When a country’s manga ecosystem develops properly, it becomes a cultural export industry.
From a government perspective, piracy then becomes something that can and should be actively addressed.

The first people to pay for legitimate manga services will, in many cases, be the very readers who once relied on piracy. They are not enemies of the industry—they are its earliest supporters in waiting.

Pirated manga readers are not our opponents.
They are our future audience.
They are proof that demand already exists.

In late 1990s Korea, manga piracy was widespread, and attitudes were often very hostile toward paid content.
Many believed that paying for manga was unnecessary, or even that the industry itself should not exist.

At the time, Steve and I did not fully understand this.
We were wrong in many ways.
But later, when proper legal services were introduced in Korea, readers were more than willing to support them. They paid for content gladly, and the Korean webtoon industry grew stronger, eventually becoming a major source of IP for film and television.

We learned, through experience, that the joy of not paying cannot compare to the deeper satisfaction of supporting and sustaining the culture you love.
Piracy users were never the enemy.
They were simply manga fans.
And all manga fans, in the end, are on the same side.

Through our mistakes, Steve and I came to understand this more clearly.

What needs to be done is simple: build proper digital manga services.
Ensure fair pricing.
And most importantly, help each country develop its own manga ecosystem.
Because only then can a truly global manga industry exist.
And only then can the works we create truly reach the world.

To be continued...

[ｵﾝﾎﾞ露 @lulu_twst]

途中に背景を映画の予言の書みたいな質感にしてみた差分も供養します
たくさん見てくれてありがとうございました😭

[smoke @smok3dgh0st]

[Drowning them in the music and the cheers, until paradoxically it became white noise, and then all Xeno could hear was the frantic beating of his own heart.]

'not the man they think i am at home' chapter 7 by overdrivecycle

[an 🌧️ @tanyeoni]

oh. my. goodness… i love LOVE this fanfic soooo much & ough i can feel my heart shatter again 😫 art so wonderfully done!!!!

[smoke @smok3dgh0st]

[Drowning them in the music and the cheers, until paradoxically it became white noise, and then all Xeno could hear was the frantic beating of his own heart.]

'not the man they think i am at home' chapter 7 by overdrivecycle

[🌱🌧️ @oversleepyzz]

Moon Walk
#สแตนเซ

[𝕴𝖗𝖊𝖆𝖑𝖑𝖞𝖜𝖆𝖓𝖙 @Chutikarnxhsji]

Ahhhhhh they’re so cute 🥰😭🫳🫳🫳 my little Stanxeno 🌈

[ドクターストーン グッズ情報【Dr.STONE】 @emc2_goods]

TVアニメ「Dr.STONE」×Space Travelium TeNQ 企画展『ROAD TO THE MOON』

宇宙服姿の描きおろしキービジュアル解禁！

さらに、展示のみどころやグッズ付きチケット、 オリジナルグッズの一部情報が先行公開

開催期間：2026年7月18日(土)〜10月18日(日)

https://t.co/rPKkqjzezd

[pbc @pbc_tree]

…やんじゃん

[Space Travelium TeNQ @TeNQ_TDC]

＼追加情報／

7月18日(土)から開催の
TVアニメ「Dr.STONE」×Space Travelium #TeNQ
企画展『ROAD TO THE MOON』🌕

宇宙服姿の描きおろしキービジュアルを本日解禁！
さらに、展示のみどころやグッズ付きチケット、
オリジナルグッズの一部情報も先行公開✨

https://t.co/aLuGiibC4U

#DrSTONE

[𝗦𝘂𝗯𝗮𝗿𝘂 @subaru_the_moon]

#dcst
羽京🏹

[シーラカンス @izumi_whale]

千コハ

(空気読め)

[an 🌧️ @tanyeoni]

YES YES YES

[Laura @vattubatsi]

inserting stanxeno into project hail mary