Making up for the concerts we missed this summer, writer/director @taylorpurdee’s debut feature, folk-rock music film @killianroxmovie, opens September 18th from @hoperunshigh, only in theaters.
You guys up for an adventure 🌋?
From Rachel House and the dudes behind Thor: Ragnarok & JoJo Rabbit, THE MOUNTAIN hits US theatres real soon.
https://t.co/74s77Sc7xF
‘The Mountain:’ Kiwi Family Drama From Director Rachel House & Exec Produced By Taika Waititi Lands U.S. Theatrical Release Via Hope Runs High https://t.co/1fvNmsa2Nh
Our restoration of DOWN AND OUT IN AMERICA has its TV premiere this week on @tcm alongside a few (slightly) less call to arms feeling @theleegrant classics.
“This whole film was shot within 20 blocks of where we are now. It’s maybe the most Upper West Side movie ever made.”
@TaylorPurdee and @jlalibs dedicate the #NYFF63 premiere of the new restoration of CAN SHE BAKE A CHERRY PIE? to Henry Jaglom. ❤️
The world premiere of our 4K restoration of CAN SHE BAKE A CHERRY PIE kicks off this weekend at @TheNYFF. Directed by Henry Jaglom, who passed earlier this week, it’s a great entry into his large & delightfully unique filmography.
#karenblack#larrydavid
https://t.co/bd5PdhPa2P
💔 Rest in peace to the great actor, playwright, and director Henry Jaglom (1938-2025).
We look forward to honoring his legacy at #NYFF63 with the World Premiere of the new 4K restoration of his memorable fourth feature CAN SHE BAKE A CHERRY PIE? (1983). Learn more at https://t.co/qD0dAWcauE
Rest well, Henry.
Henry Jaglom was what they mean by “one of a kind.” He was a delightfully idiosyncratic, inventive, and playful mensch who spent his life making the films and telling the stories he wanted to tell, alongside his friends and loved ones and idols. We should all be so lucky.
Super excited about the new @HopeRunsHigh physical media label with @ocndistro AND that it’s kicking off with WE MIGHT AS WELL BE DEAD, a ride of a film and a favorite of mine as an early HRH international first run.
https://t.co/Jtzo8E1QAc
To celebrate the premiere of FEMALE PERVERSIONS on @criterionchannl, read director Susan Streitfeld and @bealoayza in conversation about the film’s transgressive exploration of women’s sexuality, Tilda Swinton’s role as a key collaborator, and much more. https://t.co/PjoQYFhkvG
ALL TO PLAY FOR starts tomorrow at @NewPlazaCinema
A single mother (French superstar Virginie Efira) tries to keep her family together in this “gripping debut” (The Hollywood Reporter) from director Delphine Deloget.
https://t.co/ca0N5KdVfv
QPL’s Culture Connection is excited to host this virtual conversation with filmmaker @TaylorPurdee and Matthew Specktor, the author of "The Golden Hour: A Story of Family and Power in Hollywood."
Watch live on Wednesday, July 23 at 6PM!
https://t.co/CS4Htjv8Ul
Evening viewing recommendation? On @criterionchannl, watch Susan Streitfeld’s FEMALE PERVERSIONS (1996).
In her stunning American film debut, the singularly arresting, chameleonic Tilda Swinton stars as a ruthless, bisexual Los Angeles lawyer on the edge.
We detail four ways that people in this industry could move the needle on keeping movies alive and impactful in this country regardless of how futile it might seem: https://t.co/QQPxJTHWOK
Some of our favorite cinematic fathers. All in a #fathersday sale on @Fandango and more.
Kirk Douglas in “A Father, a Son, Once Upon a Time in Hollywood”
Nathan Purdee in “Killian & the Comeback Kids”
“We Might as Well be Dead”
Hosting a chat after a FREE screening of Mario Calvani’s NYT favorite HIGH TIDE on June 10th. It’s sponsored by @QPLNYC in case you were somehow in need of more wonder at the need for and resilience of public libraries.
https://t.co/O7DCvrug6C
We have a lot of limited engagements happening now at LF3 – see what’s playing tonight - this weekend:
MAGIC FARM (2025) 5/23-5/26
A VANISHING FOG (2021) 5/24-5/27
BLUE SUN PALACE (2024) 5/25 + intro
HOW TO GET AHEAD IN ADVERTISING (1989) 5/25-5/29
https://t.co/zIxjGsbpoP
Alternately erotic, remote, action packed, and reflective, A VANISHING FOG may have hints of Jodorowsky and even early George Lucas, but is something entirely its own. @esaugustosandino eco-sploitation fantasia comes to @am_cinematheque this weekend.
https://t.co/Wv4AEJdCnT