For @InterviewMag, I chatted with Gregory Crewdson (@crewdsonstudio) about his new book, the Berkshires, and three favorite Davids—Lynch, Fincher, and Foster Wallace.
https://t.co/GYlCgyN3L2
Raúl De Nieves Found Fame With Maximalism. Now, He’s Making Abrupt Turn—Toward Restraint. He has filtered everything from drag culture to Catholic iconography into his more-is-more sculptures. At Pioneer Works this fall, he’s leaving excess behind—for good https://t.co/rje6WIX4St
David Lynch gave us the language we needed to better articulate the indescribable strangeness of our shared reality. “Lynchian” is so overused because it’s a viscerally understandable word without any known synonyms. I can’t imagine a more beautiful artistic legacy than that.
When it comes to AI and art history, it’s important to remember that, for many, this is not just a technological question, but an urgent ideological one too. https://t.co/UhDASvlUsx
AI has infiltrated museums and universities, but scholars remain divided on its potential. Can machine learning transform our understanding of art history, or will it just compress the canon further?
I went deep on the topic for my latest in @artnews
https://t.co/djW4GOVvHl
Young artists call NYC a 'garden of inspiration' despite rising studio and housing costs, finding the city's grind worth enduring for its endless possibilities
https://t.co/75HCVJsMzQ