radio patrulha

[Machina @EXM7777]

save this post to get the most out of unlimited Seedance 2.5 for up to 33 days on Higgsfield

i'm going to show you how to use loops to produce ANY video format: ads, cinema, vlogs, UGC, music videos... with one system

idea > vault > agent > references > images > script > video > montage > upscaling

Seedance 2.5 one-shots a full 30 second video, audio generated in the same pass, carrying up to 30 image, 10 video and 10 audio references into a single generation

here's a full breakdown of the setup:

> idea: steal taste from work that already worked:
- frameset․app and shotdeck․com for film stills
- savee․com and cosmos․so for boards
- eyecannndy․com for transitions

then have a vision model name the lens, light, palette and grain of your picks in one locked paragraph you paste into every prompt

> vault: an obsidian folder as your reference bible, one page per asset (idea, locked style, character sheets, reference images, the exact prompts that worked) plus one index page, reviewed after every session so it never rots into dead files

> agent: three commands make every model callable from Claude Code:
- npm install -g @ higgsfield/cli
- higgsfield auth login
- npx skills add higgsfield-ai/skills

and your agent now submits, polls, retries and logs every job

> references: build reference images by hand first, midjourney for cinema and stylized shots, nanobanana pro or gpt images 2 for realism

use one locked style across the whole project, recurring characters turned into full sheets (front, side, back, blank background), and once locked you never regenerate them, you fix the motion prompt instead

> images: frames before motion, always, a frame costs seconds and a clip costs minutes, so exploration happens at the cheap layer and only winners get animated

> script: every shot gets the same six details, subject, action, place, camera, style, rules, and the 30 seconds splits into four timed beats inside one prompt, 0-6 set the scene, 6-14 build it out, 14-24 the turn, 24-30 the end

> video: every reference gets a job and a boundary, "@video 1 defines motion and pacing" is half the instruction, "do not use the person's identity, clothing or scene" is the half that stops one reference leaking into shots it was never meant to touch

> montage: the cut is a text file, one line per clip with its duration and an audio flag, ffmpeg renders the film from it, so the whole edit reruns in seconds

> upscaling: once, at the end, on the finished cut, 720p while exploring, 1080p for keepers, 4K only for the master (use Topaz)

for UGC ads, the same loop with two changes

render the hook clip alone first, approve the face and the voice before anything else inherits them, then anchor every later clip with the approved hook's audio so one voice carries the whole ad

and the script math is fixed, about 3.5 words per second, a 30 second ad is roughly 105 words, counted before anything renders

unlimited means every loop above costs nothing to run... start one tonight

[Higgsfield AI 🧩 @higgsfield_ai]

We made the first 110-minute AI feature film with a real cast, The Cully Hill Boys, on Higgsfield for $2,000,000.

Starring @N3onOnYT, @stylebender, @RampageJackson, and @MKIATPIS

It's 100% open-sourced on Higgsfield: all prompts and assets are public now.

Made with Seedance on Higgsfield.

Watch full film below 👇

[Higgsfield AI 🧩 @higgsfield_ai]

SOTA-level camera control with Seedance 2.5.

Coming soon to Higgsfield.

[Mustafy | AI Video Creator @MustafyOf]

Wow! this guy explained 3-Step Workflow To Make Ultra-Realistic AI Ads

[INK @0xInk_]

if you’re looking for smart AI content, follow this man

absolute genius

[地底人 @iamdidiren]

推荐一款谷歌提示词反推插件：promptcard，复刻效果很好

[WasifAI @doctorwasif]

Made with Seednace 2

Prompt:
CAMERA:
DV 16mm tape camcorder handheld footage feel. Point of view of CHASE holding the camera directly in hand. Maintain hand shake, misaligned framing, delayed focus pull, clumsy zoom in/out, occasional self-cam framing where the face gets cut off, and imperfect shots that lose the subject. Every shot is CHASE holding the camcorder herself, filming in selfie-cam or first-person style. The camcorder itself never appears on screen.
LOOK:
DV 16mm tape camcorder footage look. Soft, slightly blurry digital tape quality, faint tape noise, highlights that bloom slightly in low light, auto-exposure that flickers subtly, muted color contrast, realistic skin tones.
STYLE:
Late-night, low-energy-but-happy vibe — tired but satisfied after a long practice session. Handheld throughout, quieter and slower than a bubbly daytime vlog, occasional heavy breathing between lines, genuine unposed exhaustion mixed with pride.
Character
CHASE — a Korean idol in her 20s. Long straight black hair tied up or slightly messy from practice, elegant yet lovely Korean features, glowing skin with a light sheen of sweat, big eyes. Slim build. Wearing a modest long-sleeve athletic top and loose-fit joggers or sweatpants, fully covered arms and torso, sneakers. No jewelry.
Setting
An empty dance practice studio late at night — mirror walls lining one side, wooden floor, a speaker in the corner, a water bottle and towel by the wall, dim overhead lighting with the hallway lights off outside the studio windows.
Storyboard
(~2s, propped camera against the mirror, medium shot) She walks into frame, breathing a little heavy, wipes her forehead with the back of her hand, small tired smile. CHASE: "Okay... just finished practice, it's so late."
(~2s, handheld, slow pan across the room) Camera drifts across the empty mirror wall and the quiet studio, then back to her. CHASE (off-screen, softly): "Whole place is empty now, just me."
(~2s, medium handheld, by the wall) She grabs her water bottle, takes a long sip, exhales in relief afterward. CHASE: "Needed that so bad."
(~1.5s, macro insert, shallow DOF) Close-up on her hand wiping condensation off the water bottle, a drop of sweat catching the light. No dialogue — soft breathing sound only.
(~2s, medium handheld, facing the mirror) She sets the camera down propped against the wall, steps back, and does a few quick, sharp dance moves — a short combo tease — then laughs at herself afterward.
(~2s, handheld, close on her face) She fans herself with her hand, cheeks flushed, hair slightly damp, grinning at the lens. CHASE: "Okay that took more out of me than I thought."
(~1.5s, quick punch-in, tight selfie) She leans in close, still catching her breath, eyes bright despite the tiredness. CHASE (softly): "But it felt good though."
(~2s, arm's-length selfie finish) She grabs her towel, drapes it over her shoulder, gives the lens a small tired wave and a genuine smile before reaching to end the recording. CHASE (quietly): "Okay, going home. Night guys."

[WenvisAI⚡️ @wenvis_ai]

Made with Seedance2.0
An unbroken, continuous ultra-wide cinematic aerial shot begins in the high atmosphere, revealing an endless golden desert expanse beneath towering sandstorms and burning orange clouds. The camera plunges at breathtaking speed through layers of dust and heat haze, diving toward a matte-black off-road hypercar blasting across a vast dune field. Its rugged body, adaptive suspension, and glowing orange undercarriage lights cut through the swirling sand as a colossal wall of dust and debris erupts from the horizon behind it, rolling toward the valley like a towering amber tidal wave.

Without a single cut, the camera levels out inches above the rippled sand, skimming along the ridgeline parallel to the vehicle while the car accelerates through sharp dune crests, sand exploding from beneath its wheels. The camera sweeps around the car in a massive fluid arc, keeping both the hypercar and the advancing sandstorm in frame as the collapsing dust wall grows closer and more violent.

The car rockets toward a narrow canyon carved into the rock while chunks of sandstone and debris crash around it. At the final moment, the camera races alongside the car, swings directly in front of it, then pulls backward into the canyon as the vehicle surges inside. The climax erupts as the sandstorm slams into the canyon entrance with overwhelming force. The camera instantly climbs through a vertical opening above the canyon, soaring into the sky to reveal the entire valley being swallowed beneath a vast, rolling ocean of amber dust, while the futuristic car’s glowing trail continues deep inside the canyon.

[adult swim @adultswim]

Sneak Peek at Common Side Effects Season 2 | Coming 2027 to Adult Swim

[Latte @0xbisc]

DECISIVE STRIKE

Alden has never seen a defensive line as a wall, but as a living map reshaped by speed, instinct, and judgment; by the time everyone else is reacting to what happened a second ago, he is already beyond the final defender, bending the fate of the match into the top corner.

made with Seedance 2 on @openart_ai

Sharing the prompt below

[MD @mdmadeit]

made with seedance + chatgpt
(prompts below)

Meet Victor Bodega
Dominican bodega owner on one of the roughest blocks in NYC

Every night after closing, trouble finds him
Too bad for them, the keys don’t just open doors

[NopiA @__NopiA]

【Presets_01_Rainbow】
アニメ風手描きエフェクト素材集「フレアライト」

組み合わせ次第でバリエーションが増える🔥
1人1人個性があります⭐

▼BOOTH:https://t.co/XywM2mfwmj

[SODAGUY© @sodaguyx]

this will help me so much.

[Awi 🌙⋆⁺₊⋆ 𝙒𝒂𝙞𝒕𝙡𝒊𝙨𝒕 𝒐𝙥𝒆𝙣! @_awigui]

Process.𖹭⊹

[VoxelPlot @voxelplot]

Seedance 2.0 - Advanced Workflows Series

10. Fixing AI Artifacts with Video Editing
Use the multi-reference Vid2Vid capabilities of Seedance 2.0 to fix small defects and artifacts in AI-generated shots.

Take a screenshot of the video frame containing the defect, upload it to GPT Image 2, and modify the image so the defect disappears.

Flawed Video + Corrected Image: Seedance 2.0 will regenerate the video without the defect.

GPT Image 2 and Seedance 2.0 are now available on insMind (link at the end of the thread).

Workflow + Prompts 👇

[Seter @SeterMD]

Showing you how i made this project
#aftereffects #valorant

[radio patrulha @teucutemsebo]

@brasileiraoopre @grok qual a musica desse video?